Der Senat Und Seine Kaiser Im Spätantiken ROM: Eine Kulturhistorische Annäherung
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In den traditionellen Altertumswissenschaften spielt der Senat von Rom eine Hauptrolle bei Aufbau und Expansion der r�mischen Republik; seit Octavian/Augustus pr�gen die Kaiser mit ihrem Genie oder Wahnsinn die Politik und setzen 250 Jahre lang die Ma st�be f�r Bauwerke, Kunst, Zeremoniell und Repr�sentation, w�hrend der Senat mehr oder weniger als Echoraum ihrer Machtentfaltung fungiert; im sogenannten Dominat ab 300 n. Chr. gilt er vollends als antiquarisches Relikt im dekapitalisierten Rom. Tats�chlich haben von der augusteischen res publica restituta an rund 600 Jahre lang die reichsten, gebildetsten, ambitioniertesten Exponenten der r�mischen Oberschicht, die Senatoren, regelm� ig in der Curia Iulia/Diocletiana getagt, damit einen Zentralort der r�mischen Myth-Historie kontinuierlich besetzt und �ber Generationen hinweg enorme Ressourcen und Prestige in diese T�tigkeit investiert. Die Arbeit postuliert einen Perspektivwechsel, indem sie a) den R�mer Senat einer "langen Kaiserzeit" ins Zentrum der Betrachtungen r�ckt, in seinem Selbstverst�ndnis und in seinen variierenden Beziehungen zu den Herrschern; b) anhand bildlich-arch�ologischer, epigraphischer, numismatischer und literarischer Befunde jene mentalen und materiellen Faktoren herausarbeitet, welche die Spielregeln f�r die Koexistenz der beiden Akteure charakterisieren; c) die keineswegs lineare Evolution des Verh�ltnisses zwischen SPQR (Senatus populusque Romanus) und den Caesares Augusti Imperatores bis �ber das Ende des westr�mischen Kaisertums hinaus verfolgt. Es zeigen sich multiple Interaktionen und Verschr�nkungen von Kompetenzen und Rollenspielen, sowohl f�r den Senat als auch f�r die Kaiser, wobei R�ckgriffe, Spoliierungen oder Umdeutungen aufkumulierter historischer Vorbilder ma gebend sind. Der Senat von Rom und seine Kaiser bilden als bipolare Autorit�tsstruktur die conditio sine qua non f�r die Persistenz des r�mischen Staatswesens und m�ssen daher als zusammengeh�rige, sich bedingende Teile eines Staatskonstrukts sui generis betrachtet werden.
Ilse Rollé Ditzler was born 1953 in Zurich, studied Economics and Management in Basle and held leading positions in a large-scale enterprise for two decades. Moving to Munich for family reasons, she took the chance to study Classical Archaeology, Ancient History and Late Antique and Byzantine Art History at the Ludwig-Maximilians-University from 2004 to 2008. Focussing on Late Antiquity, she obtained her doctorate 2017, gave lectures at LMU, organized related study tours and conferences and developed the concept for a new Museum for Augusta Raurica. Currently she presides the traditional Historical and Antiquarian Association of Basle, pursuing research and activities on issues of intertemporal and interregional tradition and transformation of aesthetics, society and institutions from Antiquity to Middle and Modern Ages as well as on the imparting of knowledge about distant cultures in media and museums.
This study focusses on the Roman Senate and its relation to the Emperors, taking a long-term perspective. The starting point is the observation, that the senators as a body held their sessions continuously from the 1st to the 6th century in the Curia Iulia/Diocletiana, a highly symbolic place in Roman mythical history. Visual, archaeological, epigraphic, numismatic and literary findings and records provide evidence of the complexity of role-playing and entangled interactions, which dictated the cooperation between SPQR and Caesares Augusti Imperatores throughout the centuries. By situational adaptions and accumulations of exempla of the past the two protagonists managed to maintain a precarious, varying, but perpetuated balance of powers. The Senate of Rome and the Roman Emperors were mutually dependent and intrinsically linked, forming a specific, bipolar authority structure, which was essential for the self-concept of the Roman State.
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