Die Ästhetik im modernen Science Fiction Film in "2001: Odysee im Weltraum" von Stanley Kubrick
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Studienarbeit aus dem Jahr 2014 im Fachbereich Kunst - Fotografie und Film, Note: 1,0, Philipps-Universität Marburg (History of Art), Veranstaltung: Architecture in Film, Sprache: Deutsch, Abstract: Stanley Kubricks Weltallklassiker 2001: ODYSSEE IM WELTRAUM (1968) gilt bis heute als ein Meisterwerk der Filmgeschichte, wurde 2008 vom American Film Institut (AFI) auf den ersten Platz der besten Science Fiction Filme überhaupt gewählt und zeigt sich stilbildend für sein Genre. Insbesondere die Bildsprache und das Production Design stellen die den Film auszeichnenden Merkmale dar, da sie vor den Augen der Zuschauer glaubhaft ferne Zeiten und Sphären entstehen lassen. Bis heute - fast 50 Jahre nach dem Erscheinen von "2001" - werden dem Film eine weitgehend realistische Szenerie sowie eine überzeugende Sicht auf das Weltall attestiert. Mit einem Team aus Production und Special Effects Designern gestaltete Kubrick für "2001" eine Filmkulisse, die nicht nur den Handlungsraum definiert, sondern als zentraler Handlungsträger fungiert und eine spezifische, filmische Zukunftsästhetik etabliert. Diese Ästhetik basiert auf der beinahe dokumentarischen Abbildung der realen Gegebenheiten des Kosmos und der Raumfahrt. Damit gelingt es dem visionären Filmkünstler Kubrick, die Zuschauer ein Jahr vor der ersten Mondlandung glaubhaft in die Schwerelosigkeit des Universums auf den Mond sowie den Jupiter zu entführen und mit der antizipierten Realität des Jahres 2001 zu konfrontieren. Neben diversen Filmpreisen und Nominierungen erhielt Kubrick 1969 für "2001" eine Oscar-Auszeichnung für die Besten Spezialeffekte.
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