Die Entdeckung Der Unschaerfe in Optik Und Malerei: Zum Verhaeltnis Von Kunst Und Wissenschaft Zwischen Dem 15. Und Dem 19. Jahrhundert
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Wie sah das Sehen oder das Denken über das Sehen in der Vergangenheit hinsichtlich der inneren Widerstände des menschlichen Blicks aus und auf welche Weise hatte dieses Wissen Einfluss auf die Herstellung von Bildern bzw. auf die Theorie der Malerei? Die Untersuchung befasst sich anhand verschiedener historischer Momente mit der Beziehung der Malerei zu optischen Phänomenen, die den Blick trüben, verschleiern oder unscharf werden lassen. Auf welche Weise waren derartige Erscheinungen den Künstlern zwischen dem 15. und dem 19. Jahrhundert präsent? Wie wurde ihnen auf dem Boden des herrschenden Bildbegriffs begegnet? Welche Funktion hatten sie im Rahmen von Kunsttheorie und -praxis? Wie wurden sie nutzbar gemacht oder ausgegrenzt und wie wurden sie dargestellt bzw. übersetzt? Diese Fragen führen prinzipiell auf das Verhältnis von Malerei und Optik bzw. auf die Diskurse, mit denen Malerei auf Optisches zurückgeführt und begründet wurde.
Der Autor: Marc Wellmann wurde 1968 in Hamburg geboren; Studium der Kunstgeschichte und Amerikanistik an der Freien Universität Berlin; Magister 1996; Promotion an der Universität der Künste Berlin 2004; seit 1996 Kurator der Bernhard-Heiliger-Stiftung, Autor des abschließenden Werkverzeichnisses des Bildhauers.
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