Die Frage nach der Technik bei Heidegger
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Studienarbeit aus dem Jahr 2017 im Fachbereich Philosophie - Philosophie des 20. Jahrhunderts, Note: 1,5, Albert-Ludwigs-Universität Freiburg, Sprache: Deutsch, Abstract: Die Arbeit setzt sich mit Heideggers Technikkonzeption auseinander und analysiert mit kontinuierlichem Blick auf den Text "Die Frage nach der Technik" die Innovation. Währenddessen halte ich mich an die chronologische Vorgehensweise Heideggers und richte mein Augenmerk zunächst auf die Charakterisierung der Technik als menschliches Tun und danach auf das Wesen der modernen Technik, dass im Kontrast zur Technik der Antike zu sehen ist; insbesondere im Hinblick auf die Erweiterung des Wirkungsradius der Technik und der Umbewertung der Natur. Letztlich soll herausgestellt werden, worin Heidegger Möglichkeiten sieht, der Gefahr der Technik zu entgehen, die er nicht in der Technik selbst sieht, sondern in einer Entfernung gegenüber der Unverborgenheit und von der Vergessenheit des Seins. Ausgehend von der allgemein üblichen Bestimmung der Technik als instrumentum versucht Heidegger durch einen Weg des Fragens das Wesen der Technik zu erfassen und schlie t daraus, dass das Wesentliche nicht in der instrumentalen Vorstellung liegt, die bislang von Philosophen einheitlich untersucht wurde. Heideggers methodischer Denkweg besteht darin, die Kausalität umzudenken. Das Novum seiner Technikkonzeption ist, dass er den Technikbegriff, der von Ernst Kapp jüngst als Organprojektion aufgefasst wurde, wodurch Kapp die artifizielle gegennatürliche Dimension der Technik durch eine natürlich-organische ergänzt beziehungsweise ersetzt hat, aufspaltet. Heidegger löst das Wesen der Technik aus der trivialen Technikvorstellung und gleichsam aus dem aktuell vertretenen wissenschaftlichen Diskurs. Das Wesen der Technik sei es, das die Technik als Ganzes erfasse und im Stande sei, die Schlüsselfrage der philosophischen Moderne, die Frage nach der Technik, neu zu beantworten. Heideggers neue Perspektive ist sicherlich der
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