Die Natursprache von Jakob Böhme
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Studienarbeit aus dem Jahr 2007 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,3, Ludwig-Maximilians-Universit t M nchen (German Literature), Veranstaltung: Spiritualismus, Sprache: Deutsch, Abstract: Im 15. und 16. Jahrhundert treten neue Faktoren auf, die eine mystische Theorie der Sprache bedingen, denn nun werden auch Aspekte der Naturphilosophie miteingebunden. Hierdurch wandelt sich die Betrachtungsweise der Beziehung zwischen Sprache und Natur, die insbesondere von Paracelsus beeinflusst wurde. Auch f r Jakob B hme nimmt die Sprache einen besonderen Stellenwert ein, da er sie als ein Kommunikationsmittel zwischen Gott und dem Menschen betrachtet. Auch wenn die Erl uterung seiner Natursprache anhand von Beispielen wie der Natur oder am Menschen erfolgt, gilt sein Interesse insbesondere der Theologie bzw. Theosophie. Als Basis der Analyse der Natursprache gilt f r Jakob B hme das Christentum, wobei er sich insbesondere mit dessen Menschenbild und Gottesgedanken identifiziert. Folglich entfernt er sich trotz seiner eigenen Interpretation der Rolle der Natursprache nicht von dem Christentum an sich. Wie wichtig die Rolle Gottes f r Jakob B hme insgesamt ist, wird bereits in der Vorrede von "Aurora, Morgenr te im Aufgang" deutlich. "Die innige allwurckende Weisheit GOttes / die da ist das Hauchen der Gottlichen Krafft und der glantz des ewigen Liechts / gebe sich in des Lesers Seele / und mache jhn zum Freunde Gottes/ Amen Sap.7." F r B hme sind zwei Aspekte f r seine Sprache ma gebend. Da zum einen der Mensch das Abbild Gottes darstellt und zum anderen der Mensch die Aufgabe besitzt als Offenbarer Gottes zu fungieren. "In der Personhaftigkeit seiner Gestalt und in dem Dreiklang von Leib-Seele- Geist, der diese Gestalt zu einer lebendigen Einheit zusammenfasst, erscheint also abbildhaft die Dreieinigkeit der Person Gottes. Das bedeutet: die Geburt des menschlichen Wortes im menschlichen Geist(in der menschlichen Person) ist ein Bild der Geburt
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