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Drone Aesthetics: War, Culture, Ecology

by Beryl Pong , Michael Richardson
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Current price ₹2,439.00
Original price ₹2,450.00
Original price ₹2,450.00
Original price ₹2,450.00
(-0%)
₹2,439.00
Current price ₹2,439.00

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Book cover type: Paperback
  • ISBN13: 9781785421037
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Open Humanities Press
  • Publisher Imprint: Open Humanities Press
  • Publication Date:
  • Pages: 274
  • Original Price: GBP 20.0
  • Language: English
  • Edition: N/A
  • Item Weight: 495 grams
  • BISAC Subject(s): Criticism

Drone Aesthetics: War, Culture, Ecology is a collection of essays by interdisciplinary scholars and multimedia artists that addresses the contested landscape of drone development and drone use. Offering new ideas and arguments about the technology, logics, and systems with which drones are intertwined, this collection scrutinises how the aesthetics of drones are fundamental to its ethics; how drone aesthetics are impacting the way we relate to one another and to the human and more-than-human worlds; and how drones are altering our relationships to life and death. With contributions by Michele Barker, Antoine Bousquet, Kathryn Brimblecombe-fox, Edgar Gomez Cruz, Joseph DeLappe, Jack Faber, Adam Fish, Caren Kaplan, Amy Gaeta, Sophia Goodfriend, Mitch Goodwin, Anna Munster, Tom Sear, J.D. Schnepf, Yanai Toister, Simon M. Taylor, Madelene Veber.

Pong, Beryl: - Beryl Pong is a UKRI Future Leaders Fellow at the Centre for the Future of Intelligence, University of Cambridge. She holds affiliated positions with the Faculty of English and with Trinity College at Cambridge, and with the Department of English, Linguistics, and Theatre Studies at the National University of Singapore. She is the author of British Literature and Culture in Second World Wartime: For the Duration (2020).

Richardson, Michael: - Michael Richardson is writer, researcher, and teacher living and working on Gadigal and Bidjigal country. He is an Associate Professor in Media and Culture at UNSW Sydney, where he co-directs the Media Futures Hub and the Autonomous Media Lab, and an Associate Investigator with the ARC Centre of Excellence on Automated Decision-Making and Society. His research and writing examines technology, power, witnessing, trauma, and affect in contexts of war, security, and surveillance.

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