Einbildungskraft und Aufklärung
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Die Arbeit untersucht, wie die Einbildungskraft als Verm�gen zwischen Empfindung und Verstand in verschiedenen Kontexten der Moralphilosophie, Psychologie, Physiologie, Anthropologie, �sthetik und Poetik in der zweiten H�lfte des 18. Jahrhunderts als Problem er�rtert wurde. Dieser Proze wird unter R�ckgriff auf das fr�haufkl�rerische Schrifttum (Malebranche, Shaftesbury, Thomasius-Schule, Wolff) in begriffs-, wissens- und wissenschaftsgeschichtlicher Perspektive rekonstruiert. Ein Schwerpunkt liegt auf der vordisziplin�ren Anthropologie der Aufkl�rung. Es wird gezeigt, da die Aufwertung der 'unteren Seelenkr�fte' eine Neukonzeption des psychophysiologischen Zusammenhanges verlangt. Hierbei kommt dem Halleschen Diskussionskontext von Medizin und Philosophie um 1750 eine zentrale Bedeutung zu: in der Kontroverse von animistischen und mechanistischen Modellen der Empfindung wurde sowohl die Frage der psychischen Wirksamkeit der Einbildungskraft auf den K�rper als auch ihrer physiologischen Determinierbarkeit verhandelt. Problematisch war vor allem die m�gliche ausschweifende, regellose Wirkung der Einbildungskraft, die detailliert an den Gegenst�nden von Traum, Schw�rmerei und Wahnsinn auseinandergesetzt wurde. Die daraus folgende Forderung nach einer Kontrolle der Assoziation der Ideen erstreckte sich auch auf die verm�genspsychologisch fundierte �sthetik und Poetik, die sich die Verbesserung der Einbildungskraft durch eine sinnlich-�sthetische Erziehung zur Aufgabe machte.
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