Emotions et virilités à l'écran: Sociologie du cinéma hollywoodien issu de la guerre du Vietnam (1978-1989)
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Au lendemain des bouleversements des ann�es 1960 et de la blessure collective laiss�e par la guerre du Vietnam, Hollywood conna�t une v�ritable effervescence cin�matographique. Les films de fiction hollywoodiens issus de cette premi�re grande d�faite des Etats-Unis sont ici �tudi�s par le prisme de la construction m�morielle d'un Vietnam am�ricain . Il s'agit moins de restituer la guerre dans sa r�alit� historique et politique que de donner une place � l'expression de la tourmente am�ricaine de l'�poque. Il s'agit de r�inventer le Vietnam. Cet ouvrage interroge la fa�on dont les mises en sc�nes des figures de virilit� participent � cette r��criture du conflit. Dans les ann�es 1980, les repr�sentations du soldat am�ricain, dont l'image a �t� ternie par une guerre jug�e injustifiable et violente, passeraient par des portraits sensibles du combattant. Les �motions mises en sc�ne au cin�ma sur cette p�riode tr�s particuli�re sont questionn�es comme moyen privil�gi� de repr�senter et de valoriser le soldat am�ricain au Vietnam. Le glissement de la figure du h�ros intr�pide des films de guerre vers celle du h�ros sensible dans le cin�ma du Vietnam permet ainsi de mettre � l'�preuve la notion de virilit� le cin�ma parvient-il � fendre l'armure virile du soldat pour permettre l'expression d'une sensibilit� d�complex�e ?
Contreras, Manon: - Manon Contreras est diplômée du Master Etudes et recherches en sociologie à l'Université Paris-Nanterre, actuellement doctorante au sein du Centre Pierre Naville et chargée de cours à l'Université d'Evry Paris-Saclay. Ses recherches actuelles, entre sociologie de l'image et sociologie du travail, portent sur les pratiques des photojournalistes en France.
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