Farbenphotographie Und Farbenfilm: Wissenschaftliche Grundlagen Und Technische Gestaltung
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Die farbige Wiedergabe von beliebigen Objekten auf optisch-photo- chemischem Wege ist ein Problem, f�r das im Laufe der Jahrzehnte ungez�hlte L�sungen vorgeschlagen wurden. Die erste stammt von JAMES CLERC MAXWELL; f�r eine der elegantesten erhielt GABRIEL LIPPMANN den Nobelpreis. Nur ganz wenige Verfahren hatten Erfolge von l�ngerer Dauer, so da die jeweils bevorzugten Arbeitsmethoden mit der Zeit vielfach gewechselt haben. Entsprechend haben sich auch die technischen Aspekte gegen�ber der Farbenphotographie immer wieder ge�ndert, so da Monographien �ber dieses Gebiet zu den verschiedenen Zeiten recht unterschiedlichen Inhalt bringen. Seitdem die Verfahren in den letzten zwei Jahrzehnten eine betr�cht- liche Weiterentwicklung und Ausweitung erfahren haben, scheint es an der Zeit, einen �berblick �ber den gegenw�rtig erreichten Stand und �ber die noch bestehenden Probleme zu geben. Diese nicht immer einfache Aufgabe hat sich Herr Dr. WERNER SCHULTZE vor einigen Jahren gestellt und sie unter Verwendung seiner umfassenden Kenntnisse und seiner langj�hrigen praktischen Erfahrung auf farbenphotographischem Gebiet bearbeitet, wobei er gleichzeitig die vielf�ltige wissenschaftlich-technische Fach- und Patentliteratur bis Mitte 1952 ber�cksichtigen konnte. Es war mir eine besondere Freude, das mir vorgelegte Manuskript und sp�ter die Korrektur des Buches zu lesen. Dabei konnte ich feststellen, da der Herr Verfasser seine Aufgabe nicht nur sorgf�ltig "nach den Regeln der Kunst" gel�st, sondern da er es �berdies verstanden hat, durch eine sehr geschickte Stoffgliederung den Anspr�chen sehr verschiedenartiger Leser gerecht zu werden: Der Neuling kann sich an Hand des fl�ssigen Vortrages ein gutes Bild von dem Zusammenhang der Dinge verschaffen. DerIV Geleitwort.
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