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Federico Grisone's "The Rules of Riding" Gli ordini di cavalcare: An edited translation of the first renaissance treatise on classical horsemanship

by Federigo Grisone , Bettey Finney Tobey , Federica Brunori Deigan
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Current price ₹6,631.00
Original price ₹6,860.00
Original price ₹6,860.00
Original price ₹6,860.00
(-3%)
₹6,631.00
Current price ₹6,631.00

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Book cover type: Hardcover
  • ISBN13: 9781948717472
  • Binding: Hardcover
  • Subject: N/A
  • Publisher: Xenophon Press LLC
  • Publisher Imprint: Xenophon Press LLC
  • Publication Date:
  • Pages: 668
  • Original Price: USD 70.0
  • Language: English
  • Edition: N/A
  • Item Weight: 1144 grams
  • BISAC Subject(s): Animal Sports / Equestrian

Federico Grisone published Gli ordini di cavalcare (The Rules of Riding) in 1550, the first manual on manège riding, the ancestor of modern dressage. The Ordini codified a half-century of oral tradition of teaching this art and was a best seller and a welcome aid in educating noblemen at European courts in the art of the manège. Elizabeth Tobey and Federica Brunori Deigan have prepared the first modern edited English translation of the Ordini, which should interest Renaissance scholars and equestrians, and includes an introductory essay, a glossary of equestrian terms, and the transcription of the 1550 Italian first edition.

Grisone's treatise and the riding masters trained at his riding academy in Naples, Italy, spread the practice of the art of manège riding to courts throughout Europe. Twenty-three Italian editions of the text were published between 1550 and 1620 and the treatise was translated into French, English, German, Spanish, and Portuguese. Many of the concepts Grisone discusses in his treatise--such as developing contact between horse and rider and collection in the horse--are still major tenets of modern dressage riding. The haute école or High School movements of classical dressage are still practiced today by such traditional academies such as the Spanish Riding School in Vienna, Austria and the Cadre Noir in Saumur, France.

Brunori Deigan, Federica: - Federica Brunori Deigan was born and raised in Italy, where she received a "laurea" in Foreign Languages and Literatures from the University of Rome La sapienza and a professional diploma from the School for Interpreters of Rome. She obtained her Ph.D. in Italian Studies from the Johns Hopkins University in 2005. She has taught Italian language, literature, and culture at Hopkins, at the University of Pennsylvania, and at the University of Maryland at College Park, where she is currently a Senior Lecturer in Italian. Her research interests are the Italian national identity and the history and literature of the 19th century and 20th century.

Grisone, Federigo: - Federico Grisone was a Neapolitan nobleman and one of the first masters of dressage and courtly riding. Referred to in his time as the "father of the art of equitation", he wrote the first book on this subject to be published in early modern Europe. Grisone started a riding academy in Naples in 1532, and in 1550 published the influential Gli ordini di cavalcare, "The Rules of Riding", one of the first works on horsemanship since the time of Xenophon. This work was a best-seller of its time. Between 1550 and 1623, twenty-one Italian editions were printed; fifteen translated editions were published in French, seven in German, one in Spanish and six in English. The earliest of these, "The arte of ryding and breakinge greate horses," an abridged and adapted translation made by Thomas Blundeville at the suggestion of John Astley and published with plates from the original in 1560, is the earliest book in English on equitation. Previously published as ISBN: 9780866985055

Tobey, Bettey Finney: - Elizabeth MacKenzie Tobey received her Bachelor's of Arts in Art History from Smith College in 1993 and her Master's and Doctoral degrees in Art History & Archaeology at the University of Maryland in 1997 and 2005 respectively. Dr. Tobey has incorporated a lifelong interest in horses into her scholarship on equestrian culture in early modern Italy and has worked at the National Sporting Library and Museum in Middleburg, Virginia and at the Smithsonian American Art Museum in Washington, D.C. Currently she is working for the University System of Maryland on the Gates/Ithaka Project, and pursuing a Masters in Library Science at the University of Maryland. This work was previously published with the isbn: 9780866985055

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