Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia

Name: Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia
Brand: Bloomsbury Academic
SKU: 9781350252295
Price: 4101.0 INR
Availability: InStock

by Rico Isaacs

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ISBN13: 9781350252295
Binding: Paperback
Subject: N/A
Publisher: Bloomsbury Academic
Publisher Imprint: Bloomsbury Academic
Publication Date: March 24, 2022
Pages: 352
Original Price: GBP 31.99
Language: English
Edition: N/A
Item Weight: 404 grams
BISAC Subject(s): Film / History & Criticism and Asia / Central Asia

About The Book

Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th Century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 40s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority.
These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.

About The Author

Rico Isaacs is Associate Professor of Politics at University of Lincoln, UK. His research focuses on nation-building and institutions in post-Soviet Central Asia. He writes regularly on Central Asian politics and culture.

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