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Forms of Blackness: Race and Visibility in the French-Speaking World

by Cécile Bishop
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Current price ₹3,149.00
Original price ₹3,779.00
Original price ₹3,779.00
Original price ₹3,779.00
(-17%)
₹3,149.00
Current price ₹3,149.00

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Book cover type: Paperback
  • ISBN13: 9781478038764
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Duke University Press
  • Publisher Imprint: Duke University Press
  • Publication Date:
  • Pages: 264
  • Original Price: USD 29.95
  • Language: English
  • Edition: N/A
  • Item Weight: 359 grams
  • BISAC Subject(s): Cultural & Ethnic Studies / American / African American & Black Studies

Forms of Blackness examines how race can be approached as a form shaped and perceived through visual and aesthetic practices. C�cile Bishop offers a new way of thinking about the politics of visibility and presses readers to question how to interpret what they see.

Considering race as form across literature, theory, painting, and photography, C�cile Bishop's Forms of Blackness explores the formal devices that make blackness both visible and recognizable. In keeping with black Francophone theorists like �douard Glissant and Frantz Fanon, Bishop uses the ambiguities these aesthetic forms carry to explore a range of identity concepts like opacity, formlessness, and doubleness. Bishop puts blackness-as-race and blackness-as-form in dialogue, showing how race disrupts the concept of artistic autonomy and how the aesthetic challenges race as a self-evident visual phenomenon. When thought together, form does not isolate blackness from race but rather calls attention to the material substrate that turns race into a phenomenon that can be experienced through sense perception. Moving between careful analysis and experimental modes of critique, Forms of Blackness offers a new way of thinking about the politics of visibility and offers a pressing invitation to question the ways we interpret what we see.

Cécile Bishop is Associate Professor of Francophone Post-Colonial Literatures and Cultures at University of Oxford and Kelleher Fellow in French at Oriel College. She is the author of Postcolonial Criticism and Representations of African Dictatorship: The Aesthetics of Tyranny.

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