guilty as an orchid
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Nunc et in ora mortis nostrae, the final words of the Hail Mary Prayer (Now, and in the hour of our death) cast a pall over many of the poems in this collection. Here can be found gimlet-eyed meditations on mortality, whether learning of an old lover's terminal diagnosis while mid-spoon in lobster bisque or falling in love with a dying leaf; whether on a first date on 9/11 or contemplating the jaw-dropping homicide rate in his homeland of Venezuela; whether being in the CCU himself or observing a beloved's early onset Alzheimer's-death is omnipresent. And not only corporeal death but the death of love, which he experiences aboard a ferry, in a sauna, on a city bus, from a pond as snowy winter herons take flight. Still, amidst such sorrow and such dour contemplations, these poems fly the banner of hope, of survival, of blossoming after trauma, reminding us that Life-with a capital "L"-goes on as usual, like the birds living at the Home Depot that disregard us mortals as they go about the business of living: twittering, swooping, and pooping. The poems in "guilty as an orchid," if we let them, can serve as a road map that leads us to self-discovery. They can map out for us a path to internal illumination, redemption, renewed hope, and the love reawaking in us.
Haney-Jardine, Richard: - Richard Haney-Jardine, born and raised in Venezuela, grew up speaking and writing in Spanish, English, and French. At 15, he came to the US to study at Phillips Exeter Academy, where he worked individually (albeit briefly) with Gwendolyn Brooks, Jorge Luis Borges, and Thom Gunn. He received a full scholarship to and was graduated from Harvard in 1985 with a degree in both creative writing (poetry) and comparative literature. At Harvard he studied with Carlos Fuentes, Helen Vendler, and Seamus Heaney, who served as his one-on-one tutor. He was likewise awarded a full scholarship to the Sorbonne for a master's degree in literature of the French Enlightenment, graduating in 1987. In 2019, aged 55, he enrolled in Emerson College's MFA program in poetry, working with Pulitzer-Prize winner Megan Marshall, award-winning poet Daniel Tobin, and renown poet and memoirist Richard Hoffman. At 60, he began seeking professional publication, and since then his poems have appeared in The Iowa Review, on the websites of The Academy of American Poets and Winning Writers, as well as in the 2024 anthologies. HABITS: The Good, The Bad, and The Ugly and One Page Poetry, among other publications.
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