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Indian-English Theatre and Drama

by Neeru Tandon
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Current price ₹517.00
Original price ₹795.00
Original price ₹795.00
Original price ₹795.00
(-35%)
₹517.00
Current price ₹517.00

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Book cover type: Hardcover
  • ISBN13: 9788126931989
  • Binding: Hardcover
  • Subject: English Literature
  • Publisher: Atlantic Publishers & Distributors (P) Ltd
  • Publisher Imprint: Atlantic
  • Publication Date:
  • Pages: 216
  • Original Price: INR 795.0
  • Language: English
  • Edition: N/A
  • Item Weight: 350 grams

The book Indian English Theatre and Drama is a volume of research articles on Indian-English dramatists and their works, exploring a number of modern urban plays that present striking mutations of women from Mahabharata and Ramayana to Ramdeo Jha’s The Melting Stone and Other Plays. It provides feminist explorations of chauvinistic Indian myths, reconsiders the culture of the past and rereads the characters and reinterprets their true forms while questioning the reasons for digressions. The Indian playwrights studied in this anthology include Rabindranath Tagore, Aurobindo, Badal Sircar, Vijay Tendulkar, Girish Karnad, Mahesh Dattani, Mahasweta Devi, and Poile Sengupta. The articles in this volume persuasively argue the role of women characters in the Indian plays. The book will be helpful in giving critical insight to understand the art and vision of contemporary Indian dramatists both from thematic and technical points of view. The introductory chapter of the book is very resourceful to understand the growth and development of Indian English drama. Authors have presented their critical viewpoints on almost every aspect of dramatic arts, themes, and techniques pertaining to Indian playwrights and their works. The scholarly articles included in this volume discuss the Indian English Theatre, the need to spread Indian English drama to general masses and make the regional theatre more vital, complex, real, meaningful, and productive. The role of gender in the theatre and effect of Indian feminist theatre, in general, has been dealt with too. The book will give many groundbreaking concepts and ideas on Indian English drama and is useful for both researchers and learners.

Dr. Neeru Tandon, M.A., L.L.B., Ph.D., D.Litt., is working as the Vice Principal, Director IQAC, Head, Department of English, VSSD College, Kanpur. She is also an editor, author, critic, feminist, and poet. Her area of interest lies mainly in the contemporary fiction, particularly in Indian-English, Afro-American, and Canadian Women Writers. She has several publications to her credit that includes 25 books and 100 research papers. A large number of scholarly papers by her have been published in many books, national and international referred journals, and e-journals. She takes personality development and English-speaking classes for professionals in various institutes. Dr. Tandon is Chief Editor of Illuminati (an International Journal of Literature, Language, and Culture) and Associate Editor of The Atlantic Critical Review (New Delhi), The Expression (Firozabad), and VIRTUOSO (Hyderabad). She is also the chairperson and co-coordinator of ELT@I (Kanpur chapter), executive member of AESI (North Zone), founder secretary of KUAES, and executive member of Kanpur Vikas Mandap. MHRD and UGC has appointed her as paper coordinator for their project of ‘e-PG Pathshala’. She has written 34 modules on English Literature, Language, and Linguistics; and 101 Lectures delivered by her are on Youtube.

  • Preface
  • Contributors
  • 1. The Chinese Opera, Ionesco, the Chairs, the Indian English Theatre and a Mask
  • Sunil Sharma
  • 2. Staging Feminism: Myth and Innovation in Modern Indian Drama
  • Anita Singh
  • 3. An Ecocritical Expedition into Rabindranath Tagore’s Plays: A Postmodern Perspective
  • Vandhana Sharma
  • 4. Tagore’s Insight into the Feminine Mind
  • Reshu Shukla
  • 5. Sri Aurobindo’s Rodogune: A Significant Tragedy
  • Aju Mukhopadhyay
  • 6. Rhetoric of Desire and Despair: Badal Sircar’s That Other History in Existential Vision
  • Nirban Manna
  • 7. Through the Eyes of the Child: Vijay Tendulkar’s ‘Plays for Children’
  • Anjita Singh
  • 8. Geographical Identity Overpowered Humanity in Tendulkar’s Ghashiram Kotwal
  • Dinesh Panwar
  • 9. Sexual Politics and the Crude Game of Power and Revenge Re-framing Vijay Tendulkar’s Ghashiram Kotwal
  • Saptarshi Mallick
  • 10. Demystifying the Feminine Mystique of the Indian Women w.s.r. to Vijay Tendulkar’s Silence! The Court is in Session
  • Neeru Tandon and Shalika Kapoor
  • 11. Ghashiram Kotwal: An Interpretation in the Light of Rasa Theory
  • Archana Singh
  • 12. A Web of Socio-Psycho and Cultural Aspects in the Plays of Girish Karnad
  • G.A. Ghanshyam
  • 13. A Psycho-Analytical Study of the Homosexuals in Mahesh Dattani’s Play A Muggy Night in Mumbai.
  • Usha Jain
  • 14. Mahesh Dattani’s Morning Raga, the Drama
  • The Movie and Connecting the Dots
  • Bandana K. Burman
  • 15. The Interpretation and Contemporaneity of Myths in Girish Karnad and Poile Sengupta
  • Jasmine Nanavati
  • 16. Deconstruction of Myths in Poile Sengupta’s Thus Spake Shoorpanakha, So Said Shakuni
  • Manisha Pandey
  • 17. Indian Women Playwrights in English
  • A Bird’s Eye View
  • Shyam Samtani
  • 18. Application of Raudra Rasa in Contemporary Indian English Women’s Drama
  • Praggnaparamita Biswas
  • 19. The Melting Stone: Affirmation of Maithili Dramatic Tradition
  • Beena Agarwal
  • 20. Politics of Power with the Construct of Caste and Gender in Girish Karnad’s The Fire and the Rain
  • Nivedita Tandon

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