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Indigeneity and the Decolonizing Gaze: Transnational Imaginaries, Media Aesthetics, and Social Thought

by Robert Stam
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Current price ₹2,985.00
Original price ₹3,288.00
Original price ₹3,288.00
Original price ₹3,288.00
(-9%)
₹2,985.00
Current price ₹2,985.00

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Book cover type: Paperback
  • ISBN13: 9781350282353
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Bloomsbury Academic
  • Publisher Imprint: Bloomsbury Academic
  • Publication Date:
  • Pages: 416
  • Original Price: GBP 25.99
  • Language: English
  • Edition: N/A
  • Item Weight: 454 grams
  • BISAC Subject(s): Film / History & Criticism, Indigenous Studies, and Colonialism & Post-Colonialism

Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy.

Spanning national and transnational media in countries including the US, Brazil, Canada, France, Germany, and Italy, Stam orchestrates a dialogue between the western mediated gaze on the 'Indian' and the indigenous gaze itself, especially as incarnated in the burgeoning movement of "indigenous media," that is, the use of audio-visual-digital media for the social and cultural purposes of indigenous peoples themselves. Drawing on examples from cinema, literature, music, video, painting and stand-up comedy, Stam shows how indigenous artists, intellectuals and activists are responding to the multiple crises - climatological, economic, political, racial, and cultural - confronting the world.

Stam, Robert: - Robert Stam is University Professor at NYU. He has authored, co-authored, and edited some 19 books on film and cultural theory, national cinemas, politics and aesthetics, and comparative race and postcolonial studies. His books include: Reflexivity in Film and Literature (1985,1995); Brazilian Cinema (1982);Subversive Pleasures: (1989); Tropical Multiculturalism (1997); Film Theory: An Introduction (2000); Literature through Film (2005); Francois Truffaut and Friends (2006); Keywords in Subversive Film/Media Aesthetics (2015); and World Literature, Transnational Cinema, and Global Media: Towards a Transartistic Commons (2019) He is co-author, with Ella Shohat, of Unthinking Eurocentrism(1994) Flagging Patriotism; (2006); and Race in Translation: (2012); He has taught in France, Tunisia, Brazil, Germany, and Abu Dhabi. His work has been translated into more than 15 languages.

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