In Patrice Martin's ticklish tip of the hat to the writing of Franz Kafka, we follow the misadventures of a bureaucrat - aptly named "P." (pun intended) - as he embarks on the illustrious task of collecting the titular headgear. "P." expects that the accomplishment of this seemingly simple task will grant him both a professional and a personal promotion. But Martin's eager protagonist has overlooked the systematic difficulty in modern bureaucracies - as well as in some of twentieth-century's best fiction - of getting things done. And so Kafka's hat is increasingly unreachable: express elevators get stuck between floors, rooms full of suitcases must be searched, unsympathetic bureaucrats must be confronted, and then there's the rather unanticipated discovery of a fresh cadaver in the library ... Naturally, "P." knows that every hero has his coming-of-age trial to go through; trouble is, he's no modern Ulysses.
Never departing in tone and timbre from a somewhat amicable and farcical, obstinately absurd storytelling style, Kafka's Hat assembles a pleasant labyrinth of intertextual references, which make room for the diverse imaginary worlds of Jorge Luis Borges, Italo Calvino, and Paul Auster. Living in a different city, wearing new clothes, but still immersed in the part-tragic and part-comical ambience of Franz Kafka's best existentialist literature, Patrice Martin's "P." is the compelling alter ego of a not-so-distant "Joseph K." - still contemporary, still relevant.
Invoking some of modern literature's most meaningful authors, Martin's prose playfully reminds us that we do not create new work without reintroducing past fictions inside our present desires.
Bilodeau, Chantal: - Chantal Bilodeau is a Montréal-born, New York-based playwright and translator whose work focuses on the intersection of science, policy, art, and climate change. She is the founding artistic director of the Arts & Climate Initiative (formerly The Arctic Cycle) and over the past decade has been instrumental in getting the theatre and educational communities, as well as audiences in the US and abroad, to engage in climate action through programming that includes live events, talks, publications, workshops, national and international convenings, and a worldwide-distributed theatre festival. Awards include the Woodward International Playwriting Prize as well as First Prize in the Earth Matters on Stage Ecodrama Playwrights Festival and the Uprising National Playwriting Competition. Her plays and translations have been presented in a dozen countries around the world and she had edited or co-edited three anthologies of short plays about the climate crisis. In 2019, she was named one of "8 Trailblazers Who Are Changing the Climate Conversation" by Audubon Magazine.
Martin, Patrice: - Patrice Martin is a writer and politician who claims to have been bumping into the spirit of Kafka for most of his adult life. His years spent in government, first as a procedural clerk in Canada's House of Commons, then as a municipal councillor, no doubt helped shape his first novel, the deliciously absurd Kafka's Hat. Martin holds a Master's degree in political science from the University of Ottawa. He lives in Gatineau, Quebec, with his wife and daughter.
