La Máscara de la Muerte Roja Y Otros Cuentos Góticos / The Mask of the Red Death and Other Stories
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Llega a nuestra colecci�n Penguin Cl�sicos G�ticos una cuidada selecci�n de los cuentos m�s fascinantes del maestro del terror Edgar Allan Poe.
Esta terror�fica selecci�n de cuentos recibe el nombre de uno de los relatos m�s referenciados y adaptados del autor: La m�scara de la muerte roja, una alegor�a sobre la inevitabilidad de la muerte. Junto a otros tan espeluznantes como El coraz�n delator o La ca�da de la casa Usher, completamos esta preciosa edici�n que ya forma parte de nuestra colecci�n Penguin Cl�sicos G�ticos. ENGLISH DESCRIPTION First published in 1842, The Mask of the Red Death by Edgar Allan Poe is an allegorical short story in the gothic horror vein. It is the 15th century. An unidentified country is infected with a contagion known as the Red Death. Half the population has succumbed to a quick, gory, and painful death. Prospero, the prince, deals with the situation by inviting a thousand of his people to revel with him in a palace designed with seven rooms located in a secluded abbey. Each of the rooms, which are arranged east to west, are decorated with a monochromatic color scheme, and lit only by a brazier in the hallway which casts light through a stained-glass window. The last room to the west is decorated in black and contains a large clock that strikes heavily on the hour with a tone that stops the musicians from playing and the dancers in their tracks. As the midnight hour approaches, a tall figure enters, wearing a funeral shroud and a mask resembling the countenance of a corpse. All are terrified; some seek to fend off the intruder, to no avail. They discover there is nothing beneath his robes and mask. And then....Edgar Allan Poe (1809-1849) quedó huérfano desde muy joven; su padre abandonó a su familia en 1810 y su madre falleció al año siguiente. Tanto su obra como él mismo quedaron marcados por la idea de la muerte, y la estela de la desgracia no dejó de acecharlo durante toda su vida. Antes de cumplir los veinte ya era un bebedor consuetudinario y un jugador empedernido, y contrajo enormes deudas con su padre adoptivo, además de causarle todo tipo de problemas. En 1827 publica Tamerlán y otros poemas y en 1830 se instala en la casa de una tía que vivía en Baltimore acompañada de su sobrina de once años, Virginia Clemm, con quien se acabaría casando siete años más tarde. Trabajó como redactor en varias revistas de Filadelfia y Nueva York, y en 1849, dos años después de la muerte de su esposa, cae enfermo y fallece preso de la enfermedad y su adicción al alcohol y las drogas. Su producción poética, donde muestra una impecable construcción literaria, y sus ensayos, que se hicieron famosos por su sarcasmo e ingenio, son destellos del talento que lo encumbraría a la posteridad gracias a sus narraciones. Poe, de hecho, es conocido sobre todo por sus relatos y por ser el predecesor, en cierto modo, de la novela policíaca moderna. Sus cuentos destacan por su belleza literaria y por fundir en ellos lo macabro con el humor, el terror y la poesía.
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