Le cinéma amazigh/berbère et les autres médias
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Des �changes intertextuels entre films, oralit� et �criture ont caract�ris� la production cin�matographique des ann�es 1990 et un certain nombre d'�tudes leur ont �t� d�di�es. Moins trait�es par la recherche sont les relations entretenues par le cin�ma avec la t�l�vision et l'Internet, alors que ces articulations sont omnipr�sentes dans le domaine de la production et de la r�alisation de films en amazigh/berb�re.
Les articles r�unis ici sont donc consacr�s � l'imbrication du cin�ma amazigh/berb�re avec l'ensemble des autres m�dias et visent � r�pondre aux questions suivantes: quelle est l'influence des autres m�dias sur la technique et le sujet des films en amazigh ? L'intertextualit� m�diatique joue-t-elle un r�le dans l'�mergence de nouveaux th�mes ? Quelle est la r�ception des nouveaux th�mes et films ?
Ameziane, Amar: - Amar Ameziane est enseignant de langue vivante dans l'Éducation Nationale et chargé de cours de langue et littérature berbères à l'INALCO (Institut national des langues et civilisations orientales, Paris). Il est co-auteur avec Daniela Merolla et Kamal Naït-Zerad de l'ouvrage Les cinémas berbères. De la méconnaissance aux festivals internationaux (Karthala, 2019).
Daniela Merolla est professeure de littérature et art berbères à l'INALCO (Institut national des langues et civilisations orientales, Paris). Sur le cinéma, elle a coordonné les livres collectifs Le cinéma amazigh / berbère. Le sens de la mise en scène comme espace de communication (L'Harmattan, 2023) et, avec Kamal Naït-Zerad et Amar Ameziane, Les cinémas berbères. De la méconnaissance aux festivals internationaux (Karthala, 2019).
Ont contribué Mustapha El Adak, Abdelaziz Amraoui, Marie Pierre-Bouthier, Brahim El Guabli, Brahim Hasnaouy, Ahcene Hargas, Cleo Jay, Latéfa Lafer, Mohand Mechaour.
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