Le flash-back: Analyse et Histoire
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M�me si l'image est toujours au pr�sent, le r�cit filmique peut transporter le spectateur dans le pass�. Une grande part de la magie du cin�ma tient � cette capacit� singuli�re qu'il a de partir � reculons, � l'improviste, et d'appuyer l'�vocation du pr�sent par la reconstitution subite du pass�. De Soudain l'�t� dernier � Kill Bill, le cin�ma s'attache � construire et r�soudre maintes �nigmes, et � �pouser les jeux subtils et enchanteurs de la m�moire.
Ce voyage temporel s'accomplit via la figure narrative que l'on nomme flash-back. L'objectif de cet ouvrage est d'en offrir une analyse sous l'angle narratologique (la relation du flash-back au reste du film), sous l'angle technique du montage (les ponctuations utilis�es pour signifier le passage � la s�quence situ�e dans le pass�), enfin sous l'angle s�mantique (les significations, valeurs et fonctions du syntagme r�trospectif).
L'�tude ne serait pas compl�te sans une approche historique qui met en lumi�re l'�volution de l'emploi et des modalit�s de ce proc�d� narratif et sa pr�sence dans certains genres, comme le film noir. Sont enfin analys�es les oeuvres marquant une rupture dans l'utilisation du flash-back.
Illustr� par des exemples emprunt�s aux �poques et aux filmographies les plus diverses, ce livre sera utile � tous ceux que le cin�ma int�resse, �tudiants, enseignants et bien s�r cin�philes.
Yannick Mouren est docteur en �tudes cin�matographiques et charg� de cours � l'universit� de Paris I.
Ordre. Les quatre concepts cardinaux. Le flash-back externe, partiel (continu ou discontinu), unique. Le flash-back externe, compl�tif. Le flash-back externe, semi-compl�tif, continu, raccordant. Le flash-back partiel, interne. Proc�d�s d'ench�ssement. Signes plac�s avant et apr�s le flash-back. Signes plac�s pendant le d�roulement du flash-back. Signe z�ro. La m�talepse narrative. Le flash-back gigogne. Le flash-back num�rique. S�mantique. Fonctions. Valeurs. Histoire. Le cin�ma muet. Les ann�es 1930. Les ann�es 1940. La situation du flash-back dans le cin�ma classique. Les films-ruptures. Jeu avec les complexifications. Le flash-back aujourd'hui: jouer avec l'anticipation spectatorielle. Le flash-back demain, les films r�trogressifs.
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