Lenguaje musical a través de la guitarra (Volumen I): Introducción a la improvisación
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Lenguaje musical a través de la guitarra (LMG) es un libro basado en los contenidos curriculares de grado elemental en la especialidad de guitarra en España, aplicando una metodología de trabajo innovadora a la hora de abordar el estudio y comprensión de la guitarra.Los contenidos se trabajarán de manera aislada y se potenciarán pranticándolos en un contexto musical específico gracias a los audios disponibles en el canal de youtube "LMG - Lenguaje musical a través de la guitarra" El material didáctico de la presente obra, esta organizado y estructurado para mejorar 5 competencias que se consideran capitales: 1 - Lectura a primera vista 2 - La improvisación y la capacidad creativa 3 - La comprensión y estructuración del instrumento en base a la percepción interválica, para poder moverse horizontal (escalas) y verticalmente (acordes) 4 - El conocimiento progresivo del contexto tonal 5 - Ampliación en el estudio de un repertorio 6 unidades componen el libro LMG, podemos destacar 2 bloques principales: - Un apartado práctico donde nos centraremos primeramente el estudio de la guitarra a nivel monofónico (Unidad 1-2) y posteriormente a nivel polifónico (Unidad 3-4) hasta un máximo de 2 voces o sonidos. La razón de secuenciar el trabajo de esta manera es por las dificultades tanto motoras como lectoras que suponen al alumno el paso de trabajar de uno a dos sonidos simultáneos. Durante todo el apartado monofónico tendrá una especial importancia la improvisación y la creación, no obstante, me he reservado la Unidad 5 (introducción a la improvisación) para profundizar más en este aspecto. - Un apartado teórico donde plantearemos el sistema de percepción interválica que nos servirá para entender como se estructuran y organizan las escalas y los acordes en la guitarra (Unidad 6). Esta tarea, no supondrá un mayor esfuerzo de comprensión, ya que todos los ejercicios planteados con anterioridad en el libro, fundamentan su trabajo en este sistema. El alumno que hasta esta unidad carecía de un grado de consciencia respecto al funcionamiento del instrumento, debería después de trabajarla, alcanzar un mayor grado de comprensión. Del mismo modo, en esta unidad se explican los acordes de Tríada, introduciéndonos brevemente y de manera forzosa en el estudio del contexto tonal.
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