Magic Lantern
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Conceived of as a memoir in poems of late-life love and its betrayal, Magic Lantern traces the borders of loss and investigates the source of our strength to traverse them, finding the roots of resilience in ordinary interactions and illuminating the undramatic power of simple connections. "At a time of our lives when the only hands / we can expect to touch us this gently / will be wearing latex gloves," Aleshire recounts a tender moment before romantic rupture. "The technician in the ER said softly, / trying to attach your heart monitors, / You're so hairy, I'm not sure / this will stick, but I thought / it didn't matter how intimately / they handled you; my love / had covered, would cover / you, before and after them." When the realization of the beloved's treachery obliterates this lucidity and generosity, the speaker feels violated and estranged from herself, reducing the narrative of the affair to "what we did / in the dark, until we became / the dark." The private destabilization of this heartache pales but compounds the shadows of a world already rent by international war and domestic political upheaval, but Aleshire orients toward another light source: the rewarding labor of building community and the noble pursuit of seeking meaning itself. The title poem executes a beautiful metacommentary on the value of art, which is to say going to the effort, trying for trying's sake. At a local filmmaker's screening, the speaker marvels at the powerful impression the artist has rendered with black-and-white film, astonished by how "the depths and brights, / shadows and gleams... make us watching / feel more." In these deeply compassionate and vulnerable poems, Aleshire draws our attention to the artistry of our lives, the luminosity we stroke and orchestrate through our meticulous care and enduring bonds. This is the light we see by. A transportative seventh collection, Magic Lantern draws the disordered overwhelm of the human experience into a dazzling, seamless sequence of images, setting the ordinary into motion so that it not only coheres, but glows.
Joan Aleshire graduated from Harvard/Radcliffe in 1960, and from the MFA Program for Writers at Goddard College in 1980. She worked as Interim Director and was a member of the poetry faculty in the MFA Program at Warren Wilson College from 1982-2013. She has published seven books of poetry and a novel, as well as essays and translations from Russian. She lives in Shrewsbury, Vermont.
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