Marxist Literary and Art Theory and Its Discursive System/马克思主义文艺理论与话#
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This book takes the core discourses of classical Marxist literary and art theory and Chinese Marxist literary and art theory as its primary objects of study, offering a systematic review and fresh interpretation of certain core discourses or iconic concepts within these traditions. The book is divided into three parts. The first part, "Marxist Literary and Art Theory and Its Discursive System," focuses on the path selection and methodological issues involved in constructing a discursive system for Marxist literary and art theory with Chinese characteristics. The second part, "Studies on Left-Wing Literature and Art," discusses key concepts such as "fellow travelers" and "revolutionary persons," as well as the latest developments in the study of left-wing literature and art. The third part, "Artistic Humanism and the People-Oriented Nature of Art," focuses on core concepts such as the people-oriented nature of art (artistic peoplehood) and the "people's artist." The book places special emphasis on studying significant core or iconic concepts within Chinese Marxist literary and art theory, including artistic dialectics, criteria of criticism, the image of the "new person," fellow travelers, revolutionary persons, realism, the people-oriented nature of art, and the people's artist. Some of the research is pioneering-for instance, the study of the relationship between artistic dialectics and Chinese Marxist literary and art theory. Other parts extend existing research-for example, offering new insights into "fellow travelers" and "revolutionary persons" based on prior scholarship. Still other parts are systematic, such as the study of the people-oriented nature of art and the people's artist, which reflects the author's distinctive approach. This book holds significant academic value and relevance for the construction of the three major systems (disciplinary, academic, and discursive) of Marxist literary and art theory with Chinese characteristics, particularly in terms of its discursive system. 本书主要以经典马克思主义文艺理论和中国马克思主义文艺理论中的核心话语为研究对象,对经典马克思主义文艺理论和中国马克思主义文艺理论中的一些核心话语或标识性概念进行了系统梳理和全新阐释。 本书分为三编。第一编"马克思主义文艺理论与话语体系"重点讨论中国特色马克思主义文艺理论话语体系构建的路径选择和方法问题;第二编"左翼文艺研究"重点讨论了"同路人"和"革命人"等核心概念和话语体系以及左翼文艺研究最新进展;第三编"艺术人学与艺术人民性"重点讨论了艺术人民性、人民艺术家等核心概念和话语体系。 本书重点研究了中国马克思主义文艺理论中具有重要意义的艺术辩证法、批评标准、新人形象、同路人、革命人、现实主义、人民性、人民艺术家等核心话语或标识性概念。一些研究内容具有开创性,比如"艺术辩证法和中国马克思主义文艺理论"关系研究;一些研究内容具有延展性,比如在已有研究的基础上,对"同路人""革命人"提出了自己新的见解;一些研究内容具有系统性,比如关于艺术人民性、人民艺术家的研究,具有个人的研究特色。 本书对于构建中国特色马克思主义文艺理论三大体系尤其是话语体系具有一定的学术价值和意义。
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