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Maus II: Relato de Un Superviviente. Y Aquí Comenzaron MIS Problemas / And Here My Troubles Began
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Al primer volumen de Maus lo alabó la crítica por lo insólito de su propuesta y por tratarse de una obra de arte brutalmente conmovedora. En ella, los lectores conocimos a Vladek Spiegelman, un judío superviviente del Holocausto, y a su hijo, un historietista que intentaba reconciliarse con su padre, con la terrible historia de este y con la mismísima Historia. La forma elegida para relatarlo, un cómic (donde los nazis son gatos y los judíos, ratones), lograba desposeernos de cualquier atisbo de cercanía que pudiéramos tener con los hechos referidos, y lo conseguía precisamente porque se acercaba a lo inefable empleando formas diminutivas.
Este segundo volumen, que lleva por subtítulo "Y aquí comenzaron mis problemas", nos traslada de los barracones de Auschwitz a los bungalows de los Catskills. Genuinamente trágico y cómico a partes iguales, alcanza una gran complejidad en el tratamiento de los temas y una precisión de pensamiento inéditos en el cómic y poco habituales en cualquier otro medio artístico. Porque Maus une dos historias poderosas: la narración espeluznante de Vladek, un relato de supervivencia contra todo pronóstico, que retrata la gran paradoja del vivir día a día en un campo de exterminio, y los pormenores de la tortuosa relación que el autor mantiene con su padre en la vejez. A todos los niveles, este es el relato definitivo de un superviviente... y también el de los hijos que, de algún modo, tienen que sobrevivir a los supervivientes. ENGLISH DESCRIPTION The bestselling second installment of the graphic novel acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker)ART SPIEGELMAN cofundó y fue el editor de Raw, la célebre revista de cómics de vanguardia, donde se publicó originalmente Maus. Su trabajo como historietista también ha aparecido en The New York Times, Playboy, Village Voice y muchas otras publicaciones periódicas, y sus dibujos se han expuesto en museos y galerías de todo el mundo. De entre los galardones que ha merecido por Maus, caben destacar el Fauve d'Or del Festival de Angoulême en 1988, el Max-und-Moritz-Preis en 1990 y el Premio Pulitzer en 1992, así como los premios estadounidenses Eisner y Harvey en ese mismo año.
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