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Multilingual Literature as World Literature
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Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures.
The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into contact with each other. Second, by exploring how politics and ethics contribute to shaping multilingual texts at a particular time and place, with a focus on the local as a site for the interrogation of global concerns and a call for diversity. Third, by engaging with translation and untranslatability in order to consider the ways in which ideas and concepts elude capture in one language but must be read comparatively across multiple languages. And finally, by proposing a new vision for linguistic creativity beyond the binary structure of monolingualism versus multilingualism.Ahlberg, Sofia: - Sofia Ahlberg is Vice Dean at the Faculty of Languages at Uppsala University, Sweden.
Beebee, Thomas Oliver: - Thomas O. Beebee is Distinguished Professor of Comparative Literature and German, Penn State University, USA. He is the author of Millennial Literatures of the Americas, 1492-2002 (2008), Epistolary Fiction in Europe (1999), The Ideology of Genre: A Comparative Study of Generic Instability (1994) and Clarissa on the Continent: Translation and Seduction (1990).
Hiddleston, Jane: - Jane Hiddleston is Professor of Literatures in French at the University of Oxford, UK. She has published widely in the areas of francophone literature and postcolonial theory, including most recently Decolonising the Intellectual: Politics, Culture, and Humanism at the End of the French Empire (2014) and Writing After Postcolonialism: Francophone North African Literature in Transition (Bloomsbury, 2017).
Ouyang, Wen-Chin: - Wen-chin Ouyang is Professor of Arabic and Comparative Literature at SOAS, University of London, UK. A native speaker of Arabic and Chinese, she has written extensively on classical and modern Arabic narrative and literary criticism. She is a fellow of the British Academy, UK, and has a PhD from Columbia University, US.
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