Museale Ausstellungsstrategien in Zeiten der Bilderflut - Werkerlebnis und Kontemplation
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Studienarbeit aus dem Jahr 2007 im Fachbereich Museumswissenschaft, Museologie, Note: gut, Universit�t Bern (Institut f�r Kunstgeschichte), Veranstaltung: Seminar Bilderflut - Ein Phantasma der Bildwissenschaft?, Sprache: Deutsch, Abstract: Die Menschen gehen heutzutage mit Bildern ganz anders um, als noch vor 100 Jahren. Schlagw�rter wie Reiz�berflutung oder Reiz�bers�ttigung deuten auf eine eigentliche �berforderung des urbanen Menschen angesichts des inszenierten Spektakels hin. In Anbetracht der Tatsache, dass oftmals selbst grausamste Darstellungen - etwa in der Kriegsberichterstattung - bei vielen Rezipienten kaum mehr Emotionen ausl�sen, ist sogar davon die Rede, dass die Menschen ihre eigentliche Sehf�higkeit verloren haben. Es stellt sich also die Frage, wie die Museen mit dieser Herausforderung umgehen. In dieser Arbeit wird die These vertreten, dass die modernen Strategien der Bildpr�sentation, deren sich Museen bedienen, als eine Reaktion auf das Ph�nomen der Bilderflut verstanden werden k�nnen. Die aufzuzeigende Tendenz von traditionellen Strategien der Bildvermittlung hin zu einer mehr auf eine direkte Bilderfahrung abzielende Strategie der Werkpr�sentation wird dabei als ein Indiz f�r diese These angesehen. Die Arbeit beginnt deshalb mit einem Blick in die Vergangenheit: Im ersten Kapitel wird die historische Entwicklung der musealen Bildpr�sentation skizziert. Bevor im dritten Kapitel dann das Werkerlebnis als aktuellste Form musealer Inszenierung n�her vorgestellt wird, soll zuvor die Ausf�hrungen eines K�nstlers vorgestellt werden, der sich intensiv mit der Frage der Kunstwahrnehmung und ihrer r�umlichen Umgebung auseinander gesetzt hat. Dieser Abschnitt �ber R�my Zaugg und sein ertr�umtes Museum bildet die �berleitung zum Werkerlebnis. Anschliessend wird der Aspekt der Selbstdefinition der Museen ins Spiel gebracht. Hier wird es um ihre Verordnung auf der Achse zwischen den beiden Polen Bildung und Unterhaltung gehen. Im letzten Kapitel werden
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