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New Media and International Development: Representation and Affect in Microfinance

by Anke Schwittay
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Current price ₹4,738.00
Original price ₹7,288.00
Original price ₹7,288.00
Original price ₹7,288.00
(-35%)
₹4,738.00
Current price ₹4,738.00

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Book cover type: Paperback
  • ISBN13: 9780415856089
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Taylor & Francis
  • Publisher Imprint: Routledge
  • Publication Date:
  • Pages: 206
  • Original Price: GBP 55.99
  • Language: English
  • Edition: N/A
  • Item Weight: 300 grams
  • BISAC Subject(s): Development / Economic Development, Development / Sustainable Development, and Environmental Economics

New Media and International Development is the first in-depth examination of microfinance's enduring popularity with Northern publics. Through a case study of Kiva.org, the world's first person-to-person microlending website, and other microfinance organizations, the book argues that international development efforts have an affective dimension. This is fostered through narrative and visual representations, through the performance of development rituals and through bonds of fellowship between Northern donors and Southern recipients. These practices constitute people in the global North as everyday humanitarians and mobilize their affective investments, which are financial, social and emotional investments in distant others to alleviate their poverty. This book draws on ethnographic material from the US, India and Indonesia and the anthropological and development studies literature on humanitarianism, affect and the public faces of development. It opens up novel avenues of research into the formation of new development subjects in the global North.

This book will appeal to researchers and students of international development, anthropology, media studies and related fields, as well as practitioners and professionals in the field of international development

Anke Schwittay is Senior Lecturer of Anthopology and International Development at the University of Sussex, UK.

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