Outils du roman: avec Malt Olbren sur les pistes et exercices du creative writing a l'americaine
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Plus d'un demi-siècle que la création littéraire a sa place, noble place, dans tout l'enseignement supérieur du continent nord-américain.
Le livre The art of fiction, notes on craft for young writers, de John Gardner, qui recueillit et accompagna les premières pages de Raymond Carver, est devenu légendaire.
Plus même possible de démêler aujourd'hui, dans les auteurs US, lesquels ou lesquelles n'auraient pas croisé ces outils dès le lycée, ni quels auteurs ou quelles autrices ne mêleraient pas création et transmission...
Le polycopié des notes de cours de Malt Olbren présente pas moins de 21 exercices, personnages, situations, dialogue, narration, approches du réel, dûment argumentés et commentés en s'appuyant sur les grandes oeuvres américaines, de Steinbeck à Selby...
Aujourd'hui, dans les librairies US, le rayon writers help a conquis sa place, avec des réalisations inégales, mais chaque fois inspirantes.
Notre approche européenne est différente: moins d'appuis sur les genres, choix de la singularité plutôt que du métier. Ce sont ces frontières, ces paradoxes qu'il m'importait d'explorer: avec les exercices de Malt Olbren, faisons-le ensemble ?
FB
François Bon, né en 1953, a publié son premier livre aux éditions de Minuit en 1982. Il commence en 1993 à animer des ateliers d'écriture, et former des enseignants à ces pratiques. S'interrogeant pour lui-même sur narration et roman, il commence très tôt à investir aussi le champ du creative writing américain et à en explorer les techniques, et sera un des derniers élèves du légendaire Malt Olbren.
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