Public and Private Modes of Musical Discourse: Haydn's London Symphonies and Late String Quartets

Name: Public and Private Modes of Musical Discourse: Haydn's London Symphonies and Late String Quartets
Brand: Indiana University Press
SKU: 9780253075260
Price: 8737.0 INR
Availability: InStock

by Lauri Suurpää

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ISBN13: 9780253075260
Binding: Hardcover
Subject: N/A
Publisher: Indiana University Press
Publisher Imprint: Indiana University Press
Publication Date: March 31, 2026
Pages: 252
Original Price: USD 90.0
Language: English
Edition: N/A
Item Weight: 518 grams
BISAC Subject(s): Instruction & Study / Theory

About The Book

Public and Private Modes of Musical Discourse brings a new contribution to discussions on the difference between the public and private layers of music, which have often centered on issues of stylistic expression such as genre, performance venue, texture, and phrase organization. Symphonies, for example, have historically been seen as public expressions of grandeur with a festive, powerful musical character, while sonatas were associated with the subtler emotions of chamber music and private audiences.

Author Lauri Suurp�� offers an alternative starting point for the distinction between these modes, grounding the public-private distinction on structure and expression. Focusing on Joseph Haydn's London symphonies and late string quartets, Suurp�� exposes the interplay of details and large-scale narrative and unveils a key aspect of the music--its interactions and dialogues between public and private modes of discourse. In structure, if a musical segment adheres to conventional patterns, it is public; if it deviates from them, it is private. In expression, if a musical topic refers to an object shared by a crowd, such as a fanfare announcing a battle, it is public; if a topic refers to emotions felt by an individual, it is private.

With sonata theory, form-functional theory, Schenkerian analysis, hypermetrical analysis, and approaching musical expression from the perspective of topic theory, layers of structure and expression are peeled back. Public and Private Modes of Musical Discourse offers a valuable new way into how we discuss eighteenth-century music.

About The Author

Lauri Suurpää is Professor of Music Theory at the Sibelius Academy, University of the Arts Helsinki, Finland.

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