performing arts > radio / history & criticism
Radio as Art: Concepts, Spaces, Practices
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Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.
Anne Thurmann-Jajes is director of the Centre for Artists' Publications-Weserburg and teaches at the University of Bremen, Germany.
Ursula Frohne is professor of art history at the University of Münster, Germany. Jee-Hae Kim is research associate at the Institute for Art History at the University of Cologne, Germany. Maria Peters is professor of art education at the University of Bremen, Germany. Franziska Rauh is research associate at the Centre for Artists' Publication-Weserburg, Bremen, Germany. Sarah Rothe is research associate at the Institute for Art Education at the University of Bremen, Germany.• Author(s): Clear | James • Publisher: Penguin • Publisher Imprint: Penguin Random House • Subject: General Books
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