"Requiem For A Dream" und "Limitless". Die Darstellung des Amphetaminrauschs in Filmen
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Studienarbeit aus dem Jahr 2014 im Fachbereich Filmwissenschaft, Note: 2,0, Universität Hamburg (Sprache, Literatur, Medien), Veranstaltung: Narkokulturen: Drogen in Literatur und Medien seit 1945, Sprache: Deutsch, Abstract: Das Medium Film wird gern hinzugezogen, wenn es um die Drogenthematik geht. Vor allem der Rausch, dessen Erfahrungen schwer in Worte zu fassen sind, erhält im Film seine visuelle Offenbarung. Von einem eigenen Genre kann allerdings nicht die Rede sein, denn in Bezug auf Rauschmittel finden sich Darstellungen sowohl in Gangster- und Gewaltfilmen, als auch in Thrillern, Dramen, Biopics und Komödien. Filme wie "Requiem for a Dream", "Fear and Loathing in Las Vegas" und "Traffic - Macht des Kartells" haben abgesehen von ihrer Darstellung von chemischen Substanzen oder glühenden Joints nicht viel gemein. Daraus ist zu schlie en, dass der Drogenrausch vornehmlich als dramaturgisches Mittel eingesetzt wird, welches oftmals einen übergeordneten Rahmen formt und dabei den Zeitgeist und die gesellschaftlichen Bedingungen des Films reflektiert. Bei der Umsetzung wird in der Regel von herkömmlichen Inszenierungsstrategien abgesehen. Wie für das Medium üblich, werden Drogentrips genau wie Traumsequenzen oder Phantasmen von der diegetischen Realität abgesetzt. Der explizite Bruch mit der filmischen Realität ist dabei oftmals an die subjektive Wahrnehmung einer agierenden Figur gekoppelt und vollzieht sich beispielsweise durch die Einbindung von surrealistischen, fantastischen und psychedelischen Elementen ins Filmgeschehen. Der Konsum von Rauschmitteln verändert nicht nur die nach innen gerichtete Wahrnehmung, sondern transformiert auch die Umgebung oftmals in einen surrealen Filmkosmos, in dem die Grenzen der Logik, Kausalität und des Realismus aufgehoben werden. Die veränderte Subjektivität des Drogenkonsumenten und die daraus resultierende Verzerrung des filmischen Bildes zielen auf eine mentale Verknüpfung von Filmfigur und Zuschauer. Der Zuschauer soll
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