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Rock Hudson
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Tall, dark and handsome, with a manufactured name and a scrupulously designed professional image, Rock Hudson represented the Hollywood ideal of American masculinity during the 1950s and 60s; an ideal that was to be questioned and ultimately undermined during the years to follow by lurid accounts of his private life and his death from AIDS related illness.
This illuminating analysis of Hudson's career reassesses the perceived disparity between his public persona and his 'true' nature. Exploring his unique qualities as a performer and exposing the role of his agent, producers and directors in the construction of his image, John Mercer unpicks Hudson's stardom to reveal a more complex star identity than has hitherto been understood. Foregrounding the ways in which Hudson's career provides insights into the nature of American popular culture and attitudes towards gender and sexuality, Mercer ultimately depicts Hudson as a star who embodied a period of transition between the old Hollywood and the new.Mercer, John: - John Mercer is Professor of Gender and Sexuality at Birmingham City University, UK. He is co-author of Melodrama: Genre, Style and Sensibility (2004), co-editor of the Journal of Gender Studies and one of the editorial founders of Porn Studies.
Shingler, Martin: - Martin Shingler is Senior Lecturer in Radio and Film Studies at the University of Sunderland, UK. He is the co-author of two books, On Air: Methods and Meanings of Radio, with Cindy Wieringa, (1998) and Melodrama: Genre, Style& Sensibility, with John Mercer (2004). He has also published essays on the Hollywood film star Bette Davis in the books Hollywood Spectatorship, eds. Melvyn Stokes and Richard Maltby (BFI, 2001) and Screen Acting, eds. Alan Lovell and Peter Kramer, (1999), and in Screen, the Journal of American Studies, the Journal of Film& Video, Theatre Annual and Film History. He has edited a dossier on Bette Davis for Screen (2008) and an edition of the Radio Journal (2008). He is co-editor, with Susan Smith, of the BFI Film Stars series, and author of 'Star Studies: A Critical Guide' (BFI, 2012).
Smith, Susan: - Susan Smith is Reader in Film Studies at the University of Sunderland, UK. She is author of Elizabeth Taylor (BFI/Palgrave, 2012), Voices in Film (Wallflower Press, 2007), The Musical: Race, Gender and Performance (Columbia University Press, 2005) and Hitchcock: Suspense, Humour and Tone (BFI, 2000). She also co-edits the BFI's Film Stars series.
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