Skip to content

Booksellers & Trade Customers: Sign up for online bulk buying at trade.atlanticbooks.com for wholesale discounts

Booksellers: Create Account on our B2B Portal for wholesale discounts

Sedimentary Aesthetics: Painting on Stone and the Ecology of Early Modern Art

by Christopher J. Nygren
Save 7% Save 7%
Current price ₹7,283.00
Original price ₹7,800.00
Original price ₹7,800.00
Original price ₹7,800.00
(-7%)
₹7,283.00
Current price ₹7,283.00

Imported Edition - Ships in 12-14 Days

Free Shipping in India on orders above Rs. 500

Request Bulk Quantity Quote
+91
Book cover type: Hardcover
  • ISBN13: 9780300284423
  • Binding: Hardcover
  • Subject: N/A
  • Publisher: Yale University Press
  • Publisher Imprint: Yale University Press
  • Publication Date:
  • Pages: 240
  • Original Price: GBP 60.0
  • Language: English
  • Edition: N/A
  • Item Weight: 1166 grams
  • BISAC Subject(s): Movements / Renaissance

An unprecedented investigation of painting on stone in sixteenth- and seventeenth-century Italy that considers the ecological and artistic forces that made the genre transformative

In 1530 the Venetian painter Sebastiano del Piombo (1485-1547) chose an unusual surface for a painting of Christ: a large hewn stone. Treating the stone as a portable canvas, Sebastiano created a work of art that his contemporaries viewed as "almost eternal" and initiated 150 years of a flourishing practice of painting on stone. Blending ecocriticism with art history, Christopher J. Nygren examines the ecological, religious, and cultural contexts in which this idiosyncratic genre emerged. He unearths the hidden labor of stone masons, the international and colonial circuits of exchange, and the ecological philosophy of the time.

Sedimentary Aesthetics discusses the development of painting on stone in Italy and the Atlantic world, including changes in how artists approached the stone surface--such as moving away from painting the entire rock to incorporating the visual and surface qualities in the artwork--and the transition from hardier materials like slate and marble to precious ones like lapis lazuli, amethyst, and obsidian, to show how it pushed the traditional boundaries of painting and probed the limits of pictorial representation. With an emphasis on materiality, labor, and commoditization, this volume reveals the forces that made Sebastiano's choice possible and broadens our understanding of early modern art and culture.

Christopher J. Nygren is associate professor of Renaissance and Baroque art and chair of the Department of the History of Art and Architecture at the University of Pittsburgh. He is the author of Titian's Icons: Tradition, Charisma, and Devotion in Renaissance Italy.

Trusted for over 49 years

Family Owned Company

Secure Payment

All Major Credit Cards/Debit Cards/UPI & More Accepted

New & Authentic Products

India's Largest Distributor

Need Support?

Whatsapp Us