Spanisches Kino: 1959-2014
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Das spanische Kino neigt dazu, unter ganz bestimmten Namen zusammengefasst zu werden, und scheint auf diese beschränkt zu sein. Der erste Name, der einem in den Sinn kommt, ist der von Luis Buñuel, aber man darf nicht vergessen, dass Viridiana der einzige Film ist, den der Meister in seinem Heimatland gedreht hat. Etwas in Vergessenheit geraten ist heute der Name Carlos Saura, der in den 1960er und 1970er Jahren einige gro artige Filme gedreht hat, bevor er in Vergessenheit geriet. Und Pedro Almodóvar ist natürlich der Name, der heute im Rampenlicht steht, obwohl seine Filme nicht mehr die Wirkung haben, die ihn in seiner Blütezeit auszeichnete. Aber neben diesen offensichtlichen Namen gibt es wie üblich auch andere Filmemacher, an die man sich erinnern sollte und die gro e Filme gemacht haben. Ein Filmemacher wie Victor Erice zum Beispiel hat sich mit einem Meisterwerk wie Der Geist des Bienenstocks in die Geschichte des Kinos eingeschrieben. In Spanish Cinema: 1959-2014 analysiert Ricardo Luiz de Souza die in Spanien produzierten Filme mit dem Ziel, einige Strömungen des spanischen Kinos zu definieren und zu untersuchen, angefangen bei den Filmen von Buñuel, Saura und Almodóvar, aber auch weniger bekannte Filmemacher und Filme, die ein wesentlicher Bestandteil der Kinolandschaft sind.
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