Skip to content

Booksellers & Trade Customers: Sign up for online bulk buying at trade.atlanticbooks.com for wholesale discounts

Booksellers: Create Account on our B2B Portal for wholesale discounts

The Decentered Universe of Finnegans Wake: A Structuralist Analysis

by Margot Norris
Save 17% Save 17%
Current price ₹3,257.00
Original price ₹3,909.00
Original price ₹3,909.00
Original price ₹3,909.00
(-17%)
₹3,257.00
Current price ₹3,257.00

Imported Edition - Ships in 18-21 Days

Free Shipping in India on orders above Rs. 500

Request Bulk Quantity Quote
+91
Book cover type: Paperback
  • ISBN13: 9781421431307
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Johns Hopkins University Press
  • Publisher Imprint: Johns Hopkins University Press
  • Publication Date:
  • Pages: 162
  • Original Price: GBP 25.5
  • Language: English
  • Edition: N/A
  • Item Weight: 250 grams
  • BISAC Subject(s): European / English, Irish, Scottish, Welsh

Originally published in 1977. The pioneer critics of Finnegans Wake hailed the work as a radical critique of language and civilization. Resuming their position, Margot Norris explains the book's most intractable uncertainties not as puzzles to be solved by a clever reader but as manifestations of a "chaosmos," a Freudian dream world of sexual transgression and social dissolution, of inauthentic being and empty words. Conventional moralities and restraints are under siege in this chaosmos, where precisely those desires and forbidden wishes that are barred in waking thought strive to make themselves felt. Norris demonstrates convincingly that the protean characters of Finnegans Wake are the creatures of a dreaming mind. The teleology of their universe is freedom, and in the enduring struggle between the individual's anarchic psyche and the laws that make civilization possible, it is only in dream that the psyche is triumphant. It is as dream rather than as novel that Norris reads Finnegans Wake.

The lexical deviance and semantic density of the book, Norris argues, are not due to Joyce's malice, mischief, or megalomania but are essential and intrinsic to his concern to portray man's inner state of being. Because meanings are dislocated--hidden in unexpected places, multiplied and split, given over to ambiguity, plurality, and uncertainty--the Wake, Norris claims, represents a decentered universe. Its formal elements of plot, character, discourse, and language are not anchored to any single point of reference; they do not refer back to center. Only by abandoning conventional frames of reference can readers allow the work to disclose its own meanings, which are lodged in the differences and similarities of its multitudinous elements.

Eschewing the close explication of much Wake criticism, the author provides a conceptual framework for the work's large structures with the help of theories and methods borrowed from Freud, Heidegger, Lacan, Levi-Strauss, and Derrida. Looking at the work without novelistic expectations of the illusion of some "key" to unlock the mystery, Norris explores Joyce's rationale for committing his last human panorama--a bit sadder than Ulysses in its concern with aging, killing, and dying--to a form and language belonging to the deconstructive forces of the twentieth century.

Trusted for over 49 years

Family Owned Company

Secure Payment

All Major Credit Cards/Debit Cards/UPI & More Accepted

New & Authentic Products

India's Largest Distributor

Need Support?

Whatsapp Us