Skip to content

Booksellers & Trade Customers: Sign up for online bulk buying at trade.atlanticbooks.com for wholesale discounts

Booksellers: Create Account on our B2B Portal for wholesale discounts

The Gendered Score: Music in 1940s Melodrama and the Woman's Film

by Heather Laing
Sold out
Current price ₹11,277.00
Original price ₹18,795.00
Original price ₹18,795.00
Original price ₹18,795.00
(-40%)
₹11,277.00
Current price ₹11,277.00

Imported Edition - Ships in 12-14 Days

Free Shipping in India on orders above Rs. 500

Request Bulk Quantity Quote
+91
Book cover type: Hardcover
  • ISBN13: 9780754651000
  • Binding: Hardcover
  • Subject: N/A
  • Publisher: Routledge
  • Publisher Imprint: Routledge
  • Publication Date:
  • Pages: 210
  • Original Price: GBP 150.0
  • Language: English
  • Edition: N/A
  • Item Weight: 477 grams
  • BISAC Subject(s): Instruction & Study / Theory

Heather Laing examines, for the first time, the issues of gender and emotion that underpin the classical style of film scoring, but that have until now remained unquestioned and untheorized, thus providing a benchmark for thinking on more recent and alternative styles of scoring. Many theorists have discussed this type of music in film as a signifier of emotion and 'the feminine', a capacity in which it is frequently associated with female characters. The full effect of such an association on either female or male characterization, however, has not been examined. This book considers the effects of this association by progress through three stages: cultural-historical precedents, the generic parameters of melodrama and the woman's film, and the narrativization of music in film through diegetic performance and the presence of musicians as characters. Case studies of specific films provide textual and musical analyses, and the genres of melodrama and the woman's film have been chosen as representative not only of the epitome of the Hollywood scoring style, but also of the narrative association of women, emotion and music. Laing leads to the conclusion that music functions as more than merely a signifier of emotion. Rather, it takes a crucial role in both indicating and determining how emotion is actually understood as part of the construction of gender and its representation in film.

Heather Laing is a freelance lecturer and writer and an Associate Tutor in Film Studies. She is the author of Gabriel Yared's The English Patient: A Film Score Guide, 'Emotion by Numbers: Music, Song and the Musical' in Musicals: Hollywood and Beyond, ed. Bill Marshall and Robynn J. Stilwell (Intellect, 2000) and 'The Rhythm of the Night: Reframing Silence, Music and Masculinity in Beau Travail' in European Film Music, ed. Miguel Mera and David Burnand.

Trusted for over 49 years

Family Owned Company

Secure Payment

All Major Credit Cards/Debit Cards/UPI & More Accepted

New & Authentic Products

India's Largest Distributor

Need Support?

Whatsapp Us