This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the NINTH POSITION for all to see, use and reference. But, before charging through this book, there's some practicalities that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the NINTH POSITION, and the position spans a full two octaves plus a perfect fourth when in standard tuning. Moreover, when in the NINTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide to whichever note found in that additional space. For the picking hand though, a very important pattern occurs down by the sound hole or bridge where that hand just so happens to be. The picking pattern involves every other string, convenient enough, and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the D root on the first or thinnest guitar string. To discover it, start by picking the D there (first string, second finger); then E (third string, first finger); G (fifth string, second finger); A (second string, second finger); C (fourth string, second finger) and conclude with the D (sixth string, second finger). The one-three-five-two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-five-three-one) as the D roots on the first /sixth string(s) are deemed interchangeable. To finally, there are three musical terms that need further clarification for the purposes of this book, those being, main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand. Once the location of each main root note is learned there, in the NINTH POSITION, the attention then moves to their octaves found in the outer frets. Technically, an octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some guitarists correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). Last, unisons are known as when two or more notes in music happen to sound the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. That's it! THE LITTLE GUITAR BOOK THAT COULD for the NINTH POSITION is practical, uncomplicated, and results orientated, plus it's super easy to use. Its picture worth a thousand words visual based format allows one to take musical advantage of the fretboard material right away. You'll have fun discovering some fresh technical perspectives, while also adding some new twists and turns to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the NINTH POSITION also provides generous amounts of manuscript and tablature paper per an addendum as well. To close, as always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs...Enjoy!
