The Malmariée in the Thirteenth-Century Motet

Name: The Malmariée in the Thirteenth-Century Motet
Brand: Taylor & Francis
SKU: 9781032371207
Price: 4368.0 INR
Availability: InStock

by Dolores Pesce

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ISBN13: 9781032371207
Binding: Hardcover
Subject: N/A
Publisher: Taylor & Francis
Publisher Imprint: Routledge
Publication Date: February 8, 2023
Pages: 176
Original Price: GBP 51.99
Language: English
Edition: N/A
Item Weight: 359 grams
BISAC Subject(s): Genres & Styles / Choral, Religious / Christian, and Instruction & Study / Theory

About The Book

This monograph offers a comprehensive study of the topos of the malmariÃ©e or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariÃ©e motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariÃ©e texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues.

Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariÃ©e motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain's meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.

About The Author

Dolores Pesce is Avis Blewett Professor of Music at Washington University in St. Louis, specializing in music of the Middle Ages and the late nineteenth century. Her books include The Affinities and Medieval Transposition; Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance; Guido d'Arezzo's Regule rithmice, Prologus in antiphonarium, and Epistola ad Michahelem: A Critical Text and Translation; and Liszt's Final Decade.

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