Loon, Julienne Van: - Julienne van Loon is Associate Professor in Creative Writing at Melbourne University, Australia and Honorary Fellow in Writing at the University of Iowa. Her research interests include feminist literary practice, contemporary narrative fiction and literary value. Publications include The Thinking Woman (2020), Harmless (2014), Beneath the Bloodwood Tree (2008), and Road Story (2005). She is managing editor at TEXT: Journal of Writing and Writing Courses, see https: //textjournal.scholasticahq.com/
Meekings, Sam: - Sam Meekings is Assistant Professor of Creative Writing at Northwestern University in Qatar. He is the author of Under Fishbone Clouds (2011, called 'a poetic evocation of the country and its people' by the New York Times), The Book of Crows (2012), and The Afterlives of Dr Gachet (2018). He has a PhD in creative writing from Lancaster University, UK, and has taught writing at NYU (Global Campus) and the University of Chichester, UK. He researches issues of identity in grief narratives, and the practices and processes of digital storytelling.
Moore, Marshall: - Marshall Moore is Course Leader and Senior Lecturer in the School of Communication at Falmouth University, UK. He is the author of several novels and collections of short fiction, the most recent being Inhospitable (2018). With Xu Xi, he is the co-editor of the anthology The Queen of Statue Square: New Short Fiction from Hong Kong (2015). He holds a PhD in creative writing from Aberystwyth University, UK, and his current research focuses on the disconnects between the publishing industry and the academy, and on the mythology and lore that surround creative practice and pedagogy.
Sunstein, Bonnie: - Bonnie Sunstein is professor of English and education at the University of Iowa, USA, where she serves as Director of Undergraduate Writing in English and Program Chair in English Education. She teaches courses in research, non-fiction writing, American folklore, and English education. She has over thirty years of teaching secondary and college English in New England, where she continues to teach in the summers, at the University of New Hampshire and Northeastern University's Martha's Vineyard Institute on Writing and Teaching.
Webb, Jen: -
Jen Webb is Distinguished Professor of Creative Practice at the University of Canberra, Australia. She was the inaugural director of the Centre for Creative and Cultural Research, and remains a core member of that Centre.
Her main research interest is the relationship between what Pierre Bourdieu termed 'the field of cultural production'-the broad sphere of creative practice-and the social domain, including the political and sociocultural, the practical and the economic, the local and the global. Her current major projects investigate aspects of creativity, and creative production, and the creative producer, and she has been supported in this by several ARC Discovery projects, the most recent of which is
So what do you do? Graduates in the Creative and Cultural Industries (DP160101440).
Academics working in the creative field typically have their own creative practice, and Jen's works include lyric and prose poetry, short fictions, and artist books. She is the holder of the inaugural ACT Poet of the Year Award, as well as many other literary awards. She is also the ACT editor for the
Australian Book Review's States of Poetry mini-anthologies (2015-2017), chair of the NSW Premier's Literary Award (Kenneth Slessor Award for Poetry), and co-editor for the Australasian Association of Writing Program's literary journal,
Meniscus.
Jen's recent works include the scholarly volumes
Researching Creative Writing (2015),
Art and Human Rights: Contemporary Asian Contexts (with Caroline Turner; 2016); and the Oxford University Press bibliography entry for Pierre Bourdieu (2017). Her recent volumes of poetry include S
tolen Stories, Borrowed Lines (2015),
Sentences from the Archive (2016), and
Moving Targets (2018). She produced all the photographs for a collaborative poetry/photography volume, with Paul Hetherington:
Watching the World (2015). With Paul Hetherington, she is also editor of the bilingual (Chinese/Australian) anthology of poetry,
Open Windows: Contemporary Australian Poetry (2016); and of the academic journal
Axon: Creative Explorations.
