The Psychology of Screenwriting: Theory and Practice

Name: The Psychology of Screenwriting: Theory and Practice
Brand: Bloomsbury Academic
SKU: 9781441128478
Price: 2681.0 INR
Availability: InStock

by Jason Lee

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ISBN13: 9781441128478
Binding: Paperback
Subject: N/A
Publisher: Bloomsbury Academic
Publisher Imprint: Bloomsbury Academic
Publication Date: July 18, 2013
Pages: 208
Original Price: GBP 29.99
Language: English
Edition: N/A
Item Weight: 318 grams
BISAC Subject(s): Film / Screenwriting and Writing / General

About The Book

The Psychology of Screenwriting is more than an interesting book on the theory and practice of screenwriting. It is also a philosophical analysis of predetermination and freewill in the context of writing and human life in our mediated world of technology. Drawing on humanism, existentialism, Buddhism, postmodernism and transhumanism, and diverse thinkers from Meister Eckhart to Friedrich Nietzsche, Theodor Adorno, Jacques Derrida, Jean Baudrillard and Gilles Deleuze, The Psychology of Screenwriting will be of use to screenwriters, film students, philosophers and all those interested in contemporary theory. This book combines in-depth critical and cultural analysis with an elaboration on practice in an innovative fashion. It explores how people, such as those in the Dogme 95 movement, have tried to overcome traditional screenwriting, looking in detail at the psychology of writing and the practicalities of how to write well for the screen. This is the first book to include high-theory with screenwriting practice whilst incorporating the Enneagram for character development. Numerous filmmakers and writers, including David Lynch, Jim Jarmusch, David Cronenberg, Pedro AlmodÃ³var, Darren Aronofsky, Sally Potter and Charlie Kaufman are explored. The Psychology of Screenwriting is invaluable for those who want to delve deeper into writing
for the screen.

About The Author

Jason Lee is Professor and Head of Film and Media with Creative and Professional Writing at the University of Derby, UK. He has taught screenwriting for over twenty years and has published numerous screenplays. His articles on film have appeared in Film International and Vertigo. His other books include The Metaphysics of Mass Art Vols. I and II (1999), Pervasive Perversions (2005), and Cultures of Addiction (2010), and his work has been translated into ten languages.

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