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The Religious Paintings of Hendrick Ter Brugghen: Reinventing Christian Painting After the Reformation in Utrecht

by Natasha T. Seaman
Save 35% Save 35%
Current price ₹4,648.00
Original price ₹7,150.00
Original price ₹7,150.00
Original price ₹7,150.00
(-35%)
₹4,648.00
Current price ₹4,648.00

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Book cover type: Paperback
  • ISBN13: 9781138109650
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Routledge
  • Publisher Imprint: Routledge
  • Publication Date:
  • Pages: 202
  • Original Price: GBP 55.99
  • Language: English
  • Edition: N/A
  • Item Weight: 414 grams
  • BISAC Subject(s): History / General

The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

Natasha T. Seaman is Associate Professor of Art History at Rhode Island College, USA.

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