The Transformation of Vernacular Expression in Early Modern Arts
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In response to the dominance of Latin as the language of intellectual debate in early modern Europe, regional centers started to develop a new emphasis on vernacular languages and forms of cultural expression. This book shows that the local acts as a mark of distinction in the early modern cultural context. Interdisciplinary in scope, essays examine vernacular strands in the visual arts, architecture and literature from the fourteenth to seventeenth centuries. Contributions focus on change, rather than consistencies, by highlighting the transformative force of the vernacular over time and over different regions, as well as the way the concept of the vernacular itself shifts depending on the historical context.
Contributors include James J. Bloom, Jessica E. Buskirk, C. Jean Campbell, Lex Hermans, Sun Jing, Trudy Ko, David A. Levine, Eelco Nagelsmit, Alexandra Onuf, Bart Ramakers, and Jamie L. Smith
Joost Keizer, Ph.D. (2008) in Art History, Universiteit Leiden, is Assistant Professor of Art History at Yale University. Before going to Yale, he was Mellon Postdoctoral Fellow and Lecturer at Columbia University, 2008-2010. His research focuses on Italian Renaissance Art, from 1300 to 1550. He recently completed his first book, Michelangelo and the Politics of History (forthcoming).
Todd M. Richardson, Ph.D. (2007) in Art History, Universiteit Leiden, is Assistant Professor of Art History at the University of Memphis. He is the author of Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands (2011) and co-editor of Image and Imagination of the Religious Self in Late Medievel and Early Modern Europe (2008).
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