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The Winchester Guide to Keywords and Concepts for International Students in Art, Media and Design

by Annie Makhoul , Simon Morley
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Current price ₹9,021.00
Original price ₹9,325.00
Original price ₹9,325.00
Original price ₹9,325.00
(-3%)
₹9,021.00
Current price ₹9,021.00

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Hardcover: Hardcover
  • ISBN13: 9781118768891
  • Binding: Hardcover
  • Subject: N/A
  • Publisher: Wiley
  • Publisher Imprint: Wiley-Blackwell
  • Publication Date:
  • Pages: 272
  • Original Price: USD 103.95
  • Language: English
  • Edition: N/A
  • Item Weight: 580 grams
  • BISAC Subject(s): Media Studies

This welcome new resource for international students in art, design, and media provides clear explanations of the terminology they must master in order to fulfill their academic potential and enrich their professional careers.

*Offers a much-requested new resource that fills a gap in the academic market *Tailored specifically to the needs of international students in art, design, and media *Color-coded key words and phrases for quick reference *Includes sections on study skills, academic expectations in Western institutions, methodologies, and important theorists *An ideal handbook for curators and gallery staff everywhere for whom English is a non-native language

Annie Lu Makhoul is Associate Dean of Internationalisation and head of the Department for International Studies at the Winchester School of Art, University of Southampton, UK. Dr. Makhoul has been working with international students, particularly from Asia, for a decade and is responsible for the development of Winchester School of Art's international program.

Simon Morley is Visiting Fellow in the Winchester School of Art, University of Southampton, UK, and Assistant Professor at Dankook University, South Korea. A former Course Leader of the MA in Fine Art at Winchester School of Art, and lecturer at Sotheby's Institute, Dr. Morley is a celebrated artist, writer, and lecturer who has exhibited his work internationally and is the author of Writing on the Wall: Word and Image in Modern Art (2003), and editor of The Sublime: Documents in Contemporary Art (2010). His writings and reviews have appeared in such publications as Third Text, Art Monthly, Tate Magazine, and The Independent on Sunday.

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