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Un peu de la génération 1954 / Glimpse of the 1954 Generation: Théâtre d'intervention et de déconstruction/ Intervention and Deconstruction Theatre

by Jocelyne Laplagne , Guy Laplagne
Save 11% Save 11%
Current price ₹1,908.00
Original price ₹2,147.00
Original price ₹2,147.00
Original price ₹2,147.00
(-11%)
₹1,908.00
Current price ₹1,908.00

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Book cover type: Paperback
  • ISBN13: 9782322869237
  • Binding: Paperback
  • Subject: N/A
  • Publisher: Bod - Books on Demand
  • Publisher Imprint: Bod - Books on Demand
  • Publication Date:
  • Pages: 96
  • Original Price: USD 21.9
  • Language: English
  • Edition: 1. Auflage
  • Item Weight: 250 grams
  • BISAC Subject(s): General

FRAN�AIS 1954 n'est pas qu'une date dans les manuels d'histoire; c'est le point de bascule d'un monde qui vacille. Entre le fracas des empires � Di�n Bi�n Phu et l'embrasement des Aur�s, cette pi�ce de th��tre d'intervention explore les failles d'une ann�e charni�re. Du "tabou des tabous" de la violence syst�mique aux silences �touffants de l'Europe de l'Est, des confessions censur�es de Simone de Beauvoir � l'invention fortuite du Carambar, l'oeuvre d�construit les mythes de la modernit�. Sur sc�ne, les fant�mes du Tonkin croisent les ic�nes de Saint-Germain-des-Pr�s pour confronter le spectateur � une r�alit� brute: la m�moire n'est pas un sanctuaire fig�, mais un combat permanent contre l'oubli. Un voyage polyphonique o� le sang des colonies se m�le au sucre de la consommation naissante, pour que 2026 puisse enfin regarder 1954 en face. ENGLISH 1954 is more than just a date in history books; it is the tipping point of a reeling world. Between the crashing of empires at Dien Bien Phu and the ignition of the Algerian Aur�s, this interventionist play explores the fractures of a pivotal year. From the "taboo of taboos" regarding systemic violence to the stifling silences of the Iron Curtain, and from the censored confessions of Simone de Beauvoir to the accidental invention of the Carambar, this work deconstructs the myths of modernity. On stage, the ghosts of Tonkin cross paths with the icons of Saint-Germain-des-Pr�s to confront the audience with a raw reality: memory is not a frozen sanctuary, but a constant struggle against oblivion. A polyphonic journey where the blood of colonies mingles with the sugar of emerging consumerism, allowing 2026 to finally look 1954 in the eye.

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