Une histoire des réseaux d'artistes en Caraïbe 1960 -1980: Processus de stolonisation des arts plastiques aux arts vivants
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� la crois�e des �tudes th��trales et de l'histoire de l'art, cette th�se explore les r�seaux d'artistes qui se sont constitu�s dans la Cara�be durant la p�riode dite de d�colonisation, dans les deux d�cennies qui ont jalonn� les Ind�pendances. Tant dans le domaine des arts plastiques que des arts du spectacle, se ramifiaient des liens entre peintres, sculpteurs, com�diens, musiciens, dramaturges, metteurs en sc�ne. Cette �tude jette des ponts entre Am�riques, Europe, Asie et Afrique. L'analyse se resserre sur le maillage artistique martiniquais et tente d'en identifier les circulations. Selon le principe r�seautique se structure un processus de reproduction et d'enracinement, qui est ici d�crypt� � travers un concept tir� de la botanique: la stolonisation.
Cette approche transversale, des arts martiniquais tissant leurs r�seaux, se veut autant d'histoire de l'art, de philosophie de l'art, que de sociologie.
Caruge, Mickaël B.: - Mickaël B. Caruge est un plasticien français, originaire de la Martinique, commissaire d'exposition et docteur en Histoire de l'art et représentations des arts vivants. Il étudie les réseaux d'artistes martiniquais, leurs circulations et leurs réseaux politiques de 1960 à 1980, au croisement des arts visuels et des arts vivants. Il a soutenu sa thèse à l'Université Paris III, en 2025. Il a enseigné à l'Université Sorbonne Nouvelle et à l'Université de Montpellier 3, les représentations contemporaines et la culture générale, liant arts vivants et arts visuels.
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