Verfahren zur gezielten Klangsynthese, basierend auf der IRCAM Max/MSP Sound Box (Chromax, Chant, Pags)
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Studienarbeit aus dem Jahr 2014 im Fachbereich Kunst - Computerkunst, Medienkunst, Note: 2,0, Staatliche Hochschule für Gestaltung Karlsruhe, Sprache: Deutsch, Abstract: Im Rahmen dieser Arbeit werden drei Methoden zur gezielten Klangsynthese erläutert, die auf den von der Max Sound Box des IRCAM angebotenen Modulen basieren. Diskutiert wurden Chromax, Chant und Pags. Max/MSP ist eine graphisch basierte Entwicklungsumgebung für Musik und Multimedia der Firma Cycling '74, mit dessen Hilfe Prozesse in Echtzeit konstruiert werden können. Komponisten, Musiker, Softwareentwickler und Kunstschaffende benutzen sie zur Erstellung von interaktiven Softwareprodukten. Einen besonders weit verbreiteten Einsatz findet Max/MSP im Live-Betrieb, in der elektronischen Musik und im Bereich des Live-Video. Max/MSP ist eine objektbasierte Programmiersprache, die aus Modulen besteht. Die Objekte in Max/MSP sind entweder als in C entwickelten "externals" vorhanden oder als "abstractions", die aus einem Zusammenschluss mehrerer "externals" aufgebaut sind. Die visuelle Programmierung ermöglicht eine Zusammenschaltung dieser Module in diversen Formen. Dabei werden praktisch die durch Kabel verbundenen Funktionsgruppen eines echten Synthesizers simuliert. Hierdurch bildet Max/MSP eine Art von Software-Synthesizer ab, kann jedoch auch für andere Zwecke wie Messtechnik und Automatisierung verwendet werden. Max/MSP bietet eine Vielzahl von Sensoren und MIDI-Controllern, durch die die Software-Patches gesteuert werden können. Zwei prinzipielle Erweiterungen der Sprache Max als Objektsammlungen sind derzeit verfügbar - Max Signal Processing (MSP) und Jitter. MSP dient zur Synthese und Audioverarbeitung in Echtzeit. Jitter ermöglicht die Verarbeitung von Video und 3D-Grafik in Echtzeit. Im Internet ist eine gro e Anzahl von "externals" für Max/MSP erhältlich, die meisten davon sind sogar kostenfrei. Ein Beispiel dafür ist die Max Sound Box, die vom Forschungsinstitut für Akustik/Musik (IRCAM) i
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