Women and Embodied Mythmaking in Irish Theatre

Name: Women and Embodied Mythmaking in Irish Theatre
Brand: Cambridge University Press
SKU: 9781108706841
Price: 4348.0 INR
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by Shonagh Hill

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ISBN13: 9781108706841
Binding: Paperback
Subject: N/A
Publisher: Cambridge University Press
Publisher Imprint: Cambridge University Press
Publication Date: July 1, 2021
Pages: 268
Original Price: GBP 34.0
Language: English
Edition: N/A
Item Weight: 363 grams
BISAC Subject(s): European / English, Irish, Scottish, Welsh

About The Book

The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality.

About The Author

Hill, Shonagh: - Shonagh Hill teaches at University College Dublin. She was awarded an Irish Research Council Postdoctoral Fellowship 2016-17 (University College Dublin) to develop her monograph Women and Embodied Mythmaking in Irish Theatre. Hill has published articles on women and Irish theatre in a range of leading journals and internationally reviewed books. Most recently, 'Feeling Out of Place: The 'affective dissonance' of the feminist spectator in The Boys of Foley Street' was published in Performance, Feminism and Affect in Neoliberal Times (2017).

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