Yves Bonnefoy: Temps et mémoire
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Cette �tude porte sur la production po�tique tardive d'Yves Bonnefoy, en analysant notamment ses derni�res oeuvres, Ensemble encore et L'�charpe rouge (2016), dans un dialogue constant avec ses �crits ant�rieurs. Les th�mes propos�s - l'impact de la voix, la lutte contre la pens�e conceptuelle, les lieux de l'enfance, le r�le de la musique et de la musicalit� dans l'�criture - sont ceux qui ont toujours le plus caract�ris� l'�criture et la pens�e de Bonnefoy, et abord�s ici � travers le prisme de la m�moire et du r�ve, ainsi qu'� travers la dimension du temps. La trajectoire temporelle du po�te est ensuite confront�e � une nouveaut� dans l'histoire de son oeuvre: la publication conjointe d'un recueil de po�mes et d'un essai autobiographique d�montrant la synergie entre la prose et le vers dans le projet plus large de la po�sie . Ce projet inclut �galement la pratique de la traduction et de la r�flexion critique qui s'int�grent dans l'oeuvre de l'auteur par le biais de l'intertextualit� et de la rencontre entre le mot et l'image. Si la dimension onirique et la m�moire po�tique ont toujours caract�ris� l'imaginaire de l'auteur, elles ont �t� mises, dans son oeuvre r�cente, au service d'une meilleure compr�hension de soi. La d�marche herm�neutique prend ainsi la forme d'une r��criture qui conduit � une relecture de l'ensemble de l'OEuvre, sous le signe de l'ouverture au lecteur et de la rencontre avec l'autre.
Bonanni, Sara: - Sara Bonanni enseigne la littérature française à l'Université Gabriele D'Annunzio (Chieti-Pescara). En 2022 elle a obtenu son doctorat à l'Université Roma Tre, avec une thèse sur la poétique récente d'Yves Bonnefoy, rédigée en collaboration avec l'Université de Bretagne occidentale (Brest). Elle s'intéresse également à l'épistolaire et à la poésie française de la seconde moitié du XXe siècle, en particulier aux oeuvres de Bonnefoy et de Jaccottet, et à leur relation avec la poésie et la culture italiennes.
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